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Chapters (57)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. 1 - ANACONDA FURY
  6. 2 - WILD PARENT
  7. 3 - NO GOOD DEED REMAINS UNPUNISHED
  8. 4 - HELLUVA CLIENT
  9. IN THE DETECTIVE’S ABSENCE I
  10. 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
  11. 6 - FIT FOR YOUR HOOF
  12. 7 - BAD BOY LAMONT??
  13. 8 - A VERY LATE-NIGHT CALL
  14. 9 - UNCOVERING HISTORY
  15. IN THE DETECTIVE’S ABSENCE II
  16. 10 - THE ROAR OF THE HOOF
  17. 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
  18. 12 - MEETING THE HAMMER IN THE TANK
  19. 13 - A WILD NIGHT AT THE END OF A PIER
  20. 14 - DREAMS OF OLDEN TIMES
  21. 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
  22. 16 - ALITO OFF GUARD
  23. 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
  24. 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
  25. 19 - EXUBERANT COUSIN
  26. 20 - TRUNK SHOW
  27. 21 - EVER-MORE-INQUISITIVE COUSIN
  28. 22 - A SCARY SIDEWALK
  29. 23 - VISIT A CLIENT . . . AND TALK
  30. 24 - FIRE IN THE NUNNERY
  31. 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
  32. 26 - AND NOW MURRAY
  33. 27 - IN THE FIRED HOUSE
  34. 28 - AND FIRE IN THE OLD HOMESTEAD
  35. 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
  36. 30 - LINE SPINNERS
  37. 31 - HOME IN TATTERS
  38. 32 - VANISHING COUSIN
  39. 33 - LOSING A FOLLOWER
  40. 34 - THE BOYS IN THE BACK ROOM
  41. 35 - IN THE HALL OF THE TITANS
  42. 36 - WHAT ON EARTH IS GOING ON?
  43. 37 - A BASS RIDE . . . OR WAS IT VILE?
  44. 38 - CONFESSION IN MYSPACE
  45. 39 - A DIFFERENT CAR, A NEW CRIB
  46. 40 - THE SHOEMAKER’S TALE
  47. 41 - ROUSTING AN UNCLE
  48. 42 - ROUGHING UP THE UNCLE
  49. 43 - DEATH OF NOT SUCH A GOOD GUY
  50. 44 - ESCAPE IN CONTAMINATED LAUNDRY
  51. 45 - THE GOOD BOOK . . . AND THE BAD BALL
  52. 46 - DISCOVERY
  53. 47 - A RIVER RUNS THROUGH IT
  54. 48 - UP AGAINST THE WALL . . . ALL OF YOU!
  55. 49 - GUILT ALL AROUND
  56. 50 - THE RATS ATTACK . . . EACH OTHER
  57. 51 - GABRIELLA’S VOICE RETURNED

It wasn’t even as though I wanted to visit Johnny, certainly not that I wanted to go to Stateville. I had been locked up once myself. It had almost killed me, and the helplessness and pain from those two months still haunt my nightmares. Prison is one endless round of violations of every human boundary—your mail, your time alone, your time with others. All these are invaded. Someone listens to your phone calls. Toilets and showers are open to any prurient guard. And your body itself is constantly violated, you being powerless to protest the frequent strip searches.

As I left the interstate for Route 53, my stomach twisted so hard that I doubled over at the wheel and had to pull off the road. I knew I would be searched, and that was the problem. I kept telling myself that it was impersonal. Too many people—civilians, lawyers, guards—had smuggled in weapons and drugs to exempt anyone from a thorough inspection of person and property. But the thought of willingly submitting to it turned me so cold I was shaking. I switched on the heater despite the warmth of the July day. Gradually I calmed down enough that I could drive through the gates.

I showed the sentry my letter from Greg Yeoman announcing me as part of Johnny Merton’s legal team. I showed my letter from the warden authorizing my visit this afternoon. The guard did a thorough inspection of my car, including the old towels I keep in the backseat for the dogs.

When I passed through the three sets of razor wire, the electronic security, and the body search, I felt myself shriveling, disappearing into a numb place so I couldn’t feel pain. I was panting when the search was finished and I was escorted into the lawyers’ holding pen.

Like everything at Stateville, the room was old and poorly lit. The sagging deal table where I was going to meet Merton might have been manufactured in 1925, the year the prison opened. Stateville consists of a series of circular cellblocks, with a guard station in the middle of each. Guards, in theory, can see all the cells without the prisoners being able to tell if they’re observed.

As it stands today, the lighting in Stateville is so bad that no one can see much of anything. Many of the inmates spend days in the dark. Pigeons fly through their cells and along the corridors, getting in easily through the cracks in the windows and walls, but, like many of the humans, never finding their way out again.