Back Hardball
Chapters (57)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. 1 - ANACONDA FURY
  6. 2 - WILD PARENT
  7. 3 - NO GOOD DEED REMAINS UNPUNISHED
  8. 4 - HELLUVA CLIENT
  9. IN THE DETECTIVE’S ABSENCE I
  10. 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
  11. 6 - FIT FOR YOUR HOOF
  12. 7 - BAD BOY LAMONT??
  13. 8 - A VERY LATE-NIGHT CALL
  14. 9 - UNCOVERING HISTORY
  15. IN THE DETECTIVE’S ABSENCE II
  16. 10 - THE ROAR OF THE HOOF
  17. 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
  18. 12 - MEETING THE HAMMER IN THE TANK
  19. 13 - A WILD NIGHT AT THE END OF A PIER
  20. 14 - DREAMS OF OLDEN TIMES
  21. 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
  22. 16 - ALITO OFF GUARD
  23. 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
  24. 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
  25. 19 - EXUBERANT COUSIN
  26. 20 - TRUNK SHOW
  27. 21 - EVER-MORE-INQUISITIVE COUSIN
  28. 22 - A SCARY SIDEWALK
  29. 23 - VISIT A CLIENT . . . AND TALK
  30. 24 - FIRE IN THE NUNNERY
  31. 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
  32. 26 - AND NOW MURRAY
  33. 27 - IN THE FIRED HOUSE
  34. 28 - AND FIRE IN THE OLD HOMESTEAD
  35. 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
  36. 30 - LINE SPINNERS
  37. 31 - HOME IN TATTERS
  38. 32 - VANISHING COUSIN
  39. 33 - LOSING A FOLLOWER
  40. 34 - THE BOYS IN THE BACK ROOM
  41. 35 - IN THE HALL OF THE TITANS
  42. 36 - WHAT ON EARTH IS GOING ON?
  43. 37 - A BASS RIDE . . . OR WAS IT VILE?
  44. 38 - CONFESSION IN MYSPACE
  45. 39 - A DIFFERENT CAR, A NEW CRIB
  46. 40 - THE SHOEMAKER’S TALE
  47. 41 - ROUSTING AN UNCLE
  48. 42 - ROUGHING UP THE UNCLE
  49. 43 - DEATH OF NOT SUCH A GOOD GUY
  50. 44 - ESCAPE IN CONTAMINATED LAUNDRY
  51. 45 - THE GOOD BOOK . . . AND THE BAD BALL
  52. 46 - DISCOVERY
  53. 47 - A RIVER RUNS THROUGH IT
  54. 48 - UP AGAINST THE WALL . . . ALL OF YOU!
  55. 49 - GUILT ALL AROUND
  56. 50 - THE RATS ATTACK . . . EACH OTHER
  57. 51 - GABRIELLA’S VOICE RETURNED

We were glaring at each other, our noses almost touching in the cramped space, both panting with fury and fear, when we heard footfalls crashing down the side of the embankment. The noise of many people, not Elton. Flashlights played around the embankment. The summer evening was ending, and the pale light coming in through Elton’s skylights had turned purple while we quarreled. I squeezed Petra’s arm and put my hand over her mouth.

The envelope of pictures … They had to survive, whatever happened to me. I looked wildly around and grabbed a black garbage bag from the pile of bags and blankets on the floor. I rolled the envelope up in it. I didn’t have time to get the bag or Petra out of the shack. I stuffed it into a crack and pushed my cousin against the sliver of wall next to the door. I stood in front of her. When the door opened, we wouldn’t be instantly visible.

I pulled the Smith & Wesson from the tuck holster, flipped off the safety, and spoke directly into my cousin’s ear. “When I say go, you stoop down, run out of there, and jump in that water. Swim across, get to Uncle Sal.”

It wasn’t a great plan, but it was all I had. Even in the purple light, I could see her eyes large and terrified in her pale face. The muscles in her throat moved, but she only nodded.

“This is the place?” The voice was George Dornick’s.

“Yes, yessir, it is.” Elton, quavering, barely audible.

“What a dump. You are a worthless piece of shit, you know that?” Dornick, amused, contemptuous. “Open the door. I want to see the girl myself.”

“You said you wasn’t going to hurt her none,” Elton was anxious. “You told me you just wanted to talk to her.”

“That’s right, dirtbag, no one’s going to get hurt. The girl needs to go home, that’s all.” That was a third man, a stranger, and when he laughed a couple of other men joined in: Dornick and two, perhaps three, subordinates.

Petra’s heart was jumping against my shoulder blades. I reached behind me and squeezed her hand. The shack door swung open. A flashlight played around the tiny space, found my feet. I dropped, rolled, and crashed into the figure behind the light, knocking him to the ground.

“Go!” I yelled, and kept rolling, away from the shack so that the second flashlight followed me. I heard Petra behind me. I fired at random to cover her dash out the door, down to the river, the moment’s hesitation, the splash as she dropped into the water. Good girl! I started down the slope after her, but the lights followed me, and someone fired. I dropped into the brush, landing on something large and sharp, rolled away again, and fired blindly toward the light.