Chapters (57)
- Title Page
- Copyright Page
- Dedication
- Acknowledgements
- 1 - ANACONDA FURY
- 2 - WILD PARENT
- 3 - NO GOOD DEED REMAINS UNPUNISHED
- 4 - HELLUVA CLIENT
- IN THE DETECTIVE’S ABSENCE I
- 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
- 6 - FIT FOR YOUR HOOF
- 7 - BAD BOY LAMONT??
- 8 - A VERY LATE-NIGHT CALL
- 9 - UNCOVERING HISTORY
- IN THE DETECTIVE’S ABSENCE II
- 10 - THE ROAR OF THE HOOF
- 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
- 12 - MEETING THE HAMMER IN THE TANK
- 13 - A WILD NIGHT AT THE END OF A PIER
- 14 - DREAMS OF OLDEN TIMES
- 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
- 16 - ALITO OFF GUARD
- 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
- 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
- 19 - EXUBERANT COUSIN
- 20 - TRUNK SHOW
- 21 - EVER-MORE-INQUISITIVE COUSIN
- 22 - A SCARY SIDEWALK
- 23 - VISIT A CLIENT . . . AND TALK
- 24 - FIRE IN THE NUNNERY
- 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
- 26 - AND NOW MURRAY
- 27 - IN THE FIRED HOUSE
- 28 - AND FIRE IN THE OLD HOMESTEAD
- 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
- 30 - LINE SPINNERS
- 31 - HOME IN TATTERS
- 32 - VANISHING COUSIN
- 33 - LOSING A FOLLOWER
- 34 - THE BOYS IN THE BACK ROOM
- 35 - IN THE HALL OF THE TITANS
- 36 - WHAT ON EARTH IS GOING ON?
- 37 - A BASS RIDE . . . OR WAS IT VILE?
- 38 - CONFESSION IN MYSPACE
- 39 - A DIFFERENT CAR, A NEW CRIB
- 40 - THE SHOEMAKER’S TALE
- 41 - ROUSTING AN UNCLE
- 42 - ROUGHING UP THE UNCLE
- 43 - DEATH OF NOT SUCH A GOOD GUY
- 44 - ESCAPE IN CONTAMINATED LAUNDRY
- 45 - THE GOOD BOOK . . . AND THE BAD BALL
- 46 - DISCOVERY
- 47 - A RIVER RUNS THROUGH IT
- 48 - UP AGAINST THE WALL . . . ALL OF YOU!
- 49 - GUILT ALL AROUND
- 50 - THE RATS ATTACK . . . EACH OTHER
- 51 - GABRIELLA’S VOICE RETURNED
We were glaring at each other, our noses almost touching in the cramped space, both panting with fury and fear, when we heard footfalls crashing down the side of the embankment. The noise of many people, not Elton. Flashlights played around the embankment. The summer evening was ending, and the pale light coming in through Elton’s skylights had turned purple while we quarreled. I squeezed Petra’s arm and put my hand over her mouth.
The envelope of pictures … They had to survive, whatever happened to me. I looked wildly around and grabbed a black garbage bag from the pile of bags and blankets on the floor. I rolled the envelope up in it. I didn’t have time to get the bag or Petra out of the shack. I stuffed it into a crack and pushed my cousin against the sliver of wall next to the door. I stood in front of her. When the door opened, we wouldn’t be instantly visible.
I pulled the Smith & Wesson from the tuck holster, flipped off the safety, and spoke directly into my cousin’s ear. “When I say go, you stoop down, run out of there, and jump in that water. Swim across, get to Uncle Sal.”
It wasn’t a great plan, but it was all I had. Even in the purple light, I could see her eyes large and terrified in her pale face. The muscles in her throat moved, but she only nodded.
“This is the place?” The voice was George Dornick’s.
“Yes, yessir, it is.” Elton, quavering, barely audible.
“What a dump. You are a worthless piece of shit, you know that?” Dornick, amused, contemptuous. “Open the door. I want to see the girl myself.”
“You said you wasn’t going to hurt her none,” Elton was anxious. “You told me you just wanted to talk to her.”
“That’s right, dirtbag, no one’s going to get hurt. The girl needs to go home, that’s all.” That was a third man, a stranger, and when he laughed a couple of other men joined in: Dornick and two, perhaps three, subordinates.
Petra’s heart was jumping against my shoulder blades. I reached behind me and squeezed her hand. The shack door swung open. A flashlight played around the tiny space, found my feet. I dropped, rolled, and crashed into the figure behind the light, knocking him to the ground.
“Go!” I yelled, and kept rolling, away from the shack so that the second flashlight followed me. I heard Petra behind me. I fired at random to cover her dash out the door, down to the river, the moment’s hesitation, the splash as she dropped into the water. Good girl! I started down the slope after her, but the lights followed me, and someone fired. I dropped into the brush, landing on something large and sharp, rolled away again, and fired blindly toward the light.