Back Hardball Save as PDF
Chapters (57)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. 1 - ANACONDA FURY
  6. 2 - WILD PARENT
  7. 3 - NO GOOD DEED REMAINS UNPUNISHED
  8. 4 - HELLUVA CLIENT
  9. IN THE DETECTIVE’S ABSENCE I
  10. 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
  11. 6 - FIT FOR YOUR HOOF
  12. 7 - BAD BOY LAMONT??
  13. 8 - A VERY LATE-NIGHT CALL
  14. 9 - UNCOVERING HISTORY
  15. IN THE DETECTIVE’S ABSENCE II
  16. 10 - THE ROAR OF THE HOOF
  17. 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
  18. 12 - MEETING THE HAMMER IN THE TANK
  19. 13 - A WILD NIGHT AT THE END OF A PIER
  20. 14 - DREAMS OF OLDEN TIMES
  21. 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
  22. 16 - ALITO OFF GUARD
  23. 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
  24. 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
  25. 19 - EXUBERANT COUSIN
  26. 20 - TRUNK SHOW
  27. 21 - EVER-MORE-INQUISITIVE COUSIN
  28. 22 - A SCARY SIDEWALK
  29. 23 - VISIT A CLIENT . . . AND TALK
  30. 24 - FIRE IN THE NUNNERY
  31. 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
  32. 26 - AND NOW MURRAY
  33. 27 - IN THE FIRED HOUSE
  34. 28 - AND FIRE IN THE OLD HOMESTEAD
  35. 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
  36. 30 - LINE SPINNERS
  37. 31 - HOME IN TATTERS
  38. 32 - VANISHING COUSIN
  39. 33 - LOSING A FOLLOWER
  40. 34 - THE BOYS IN THE BACK ROOM
  41. 35 - IN THE HALL OF THE TITANS
  42. 36 - WHAT ON EARTH IS GOING ON?
  43. 37 - A BASS RIDE . . . OR WAS IT VILE?
  44. 38 - CONFESSION IN MYSPACE
  45. 39 - A DIFFERENT CAR, A NEW CRIB
  46. 40 - THE SHOEMAKER’S TALE
  47. 41 - ROUSTING AN UNCLE
  48. 42 - ROUGHING UP THE UNCLE
  49. 43 - DEATH OF NOT SUCH A GOOD GUY
  50. 44 - ESCAPE IN CONTAMINATED LAUNDRY
  51. 45 - THE GOOD BOOK . . . AND THE BAD BALL
  52. 46 - DISCOVERY
  53. 47 - A RIVER RUNS THROUGH IT
  54. 48 - UP AGAINST THE WALL . . . ALL OF YOU!
  55. 49 - GUILT ALL AROUND
  56. 50 - THE RATS ATTACK . . . EACH OTHER
  57. 51 - GABRIELLA’S VOICE RETURNED

I kept petting her and crooning to her, trying to assure her that we could fix it all so that no one got killed or sent to prison, although I wasn’t sure about either of those things. Finally, when she seemed a bit calmer, I asked how she’d ended up here in Elton’s shack.

“That was after they made me open your office for them.”

“Yeah, babe, I know that much. I saw you on my video camera.”

“They said you had a picture that might send Daddy to jail,” she whispered. “When I told them you and I hadn’t been able to get into your old South Chicago house, they made me go down there with them to show them which house it was. Then when Uncle Sal gave me your apartment keys so I could make up your bed and bring you some yogurt—you know, while you were staying at Dr. Herschel’s—Mr. Strangwell made me give him the keys to make copies.

“I guess then they tore your house apart. I wasn’t there. This one man, the one they called Larry, he found an old picture of Uncle Tony and all of them playing ball together, and the Strangler was just totally pissed, because he said only a drunk idiot would think that proved anything about anyone. So they decided they had to go through your office.

“I had to go with them. They wouldn’t let me just tell them your keypad code because the Strangler said if you were there—like, maybe you didn’t get in to see the snake man—you’d let me in. Then they went just totally crazy inside your office, and I was terrified they would kill me because I’d seen too much. And Mr. Dornick kept phoning the Strangler and saying how could he be so sure a big-mouth like me wouldn’t end up babbling it all to you. So I pretended I was having my period, that I was bleeding and needed the bathroom, and went down the hall.

“This horrible man, the one they called Larry, he was standing there, holding his gun, and I saw the back door and just bolted outside and ran like fury. And Elton was there, out on the street, so I remembered how he talked about his crib. And I begged him to save my life. So the bus was just coming, and we jumped on. And he brought me here. And I’ve been too scared to leave.”

While I cradled her, I tried to think of a safe house, someplace where Petra at least could sleep while I tried to get the police to listen to my side of the story. I was imagining and discarding ideas when Petra suddenly asked about the pictures.

“What are they?”

“It’s an old story and an ugly one. Your father was at a riot in Marquette Park in 1966—”