Back Hardball Save as PDF
Chapters (57)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. 1 - ANACONDA FURY
  6. 2 - WILD PARENT
  7. 3 - NO GOOD DEED REMAINS UNPUNISHED
  8. 4 - HELLUVA CLIENT
  9. IN THE DETECTIVE’S ABSENCE I
  10. 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
  11. 6 - FIT FOR YOUR HOOF
  12. 7 - BAD BOY LAMONT??
  13. 8 - A VERY LATE-NIGHT CALL
  14. 9 - UNCOVERING HISTORY
  15. IN THE DETECTIVE’S ABSENCE II
  16. 10 - THE ROAR OF THE HOOF
  17. 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
  18. 12 - MEETING THE HAMMER IN THE TANK
  19. 13 - A WILD NIGHT AT THE END OF A PIER
  20. 14 - DREAMS OF OLDEN TIMES
  21. 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
  22. 16 - ALITO OFF GUARD
  23. 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
  24. 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
  25. 19 - EXUBERANT COUSIN
  26. 20 - TRUNK SHOW
  27. 21 - EVER-MORE-INQUISITIVE COUSIN
  28. 22 - A SCARY SIDEWALK
  29. 23 - VISIT A CLIENT . . . AND TALK
  30. 24 - FIRE IN THE NUNNERY
  31. 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
  32. 26 - AND NOW MURRAY
  33. 27 - IN THE FIRED HOUSE
  34. 28 - AND FIRE IN THE OLD HOMESTEAD
  35. 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
  36. 30 - LINE SPINNERS
  37. 31 - HOME IN TATTERS
  38. 32 - VANISHING COUSIN
  39. 33 - LOSING A FOLLOWER
  40. 34 - THE BOYS IN THE BACK ROOM
  41. 35 - IN THE HALL OF THE TITANS
  42. 36 - WHAT ON EARTH IS GOING ON?
  43. 37 - A BASS RIDE . . . OR WAS IT VILE?
  44. 38 - CONFESSION IN MYSPACE
  45. 39 - A DIFFERENT CAR, A NEW CRIB
  46. 40 - THE SHOEMAKER’S TALE
  47. 41 - ROUSTING AN UNCLE
  48. 42 - ROUGHING UP THE UNCLE
  49. 43 - DEATH OF NOT SUCH A GOOD GUY
  50. 44 - ESCAPE IN CONTAMINATED LAUNDRY
  51. 45 - THE GOOD BOOK . . . AND THE BAD BALL
  52. 46 - DISCOVERY
  53. 47 - A RIVER RUNS THROUGH IT
  54. 48 - UP AGAINST THE WALL . . . ALL OF YOU!
  55. 49 - GUILT ALL AROUND
  56. 50 - THE RATS ATTACK . . . EACH OTHER
  57. 51 - GABRIELLA’S VOICE RETURNED

He had me watch as he logged the negatives into a database: the number of strips, the number of frames, my name with the date and time I’d brought them in. “Okay? We have cafeteria, we have park, make yourselves comfortable. Maybe one hour, maybe two.”

I was too restless to sit in their lunchroom. Karen came outside with me but stopped at a bench to make calls of her own while I walked around the perimeter of a little lake. The Canada geese, who’ve become the scourge of the northern United States, were out in force, drilling peg holes in the ground and leaving unappetizing deposits behind them. I skirted the soiled path and went into a small woods. I kept trying not to look at my watch, but I couldn’t bear walking too far from the Cheviot building.

Finally, a little after one, Theo came to find us, beaming like an obstetrician who’s about to announce a normal delivery. “You can come now. I have made many shots, cropped, shaded. You see what you can see.”

There had been twenty-four black-and-white negatives in the Bible, but Theo had multiplied them into over a hundred prints, each with several different exposures, some cropped to focus on individual faces. Theo had clipped most to light tables around a conference table. Some were blown up and attached to the walls.

“That’s Lamont, with Johnny Merton,” I murmured to Karen, as we started with the first picture on the first negative, which showed three black youths, arms linked across one another’s shoulders, wearing the berets that wannabe revolutionaries used to sport. “You can see Johnny’s tattoos. I’m guessing Steve Sawyer is the third man. I’ve never seen a picture of him when he was young.”

Their faces were solemn but joyful, getting ready for a big adventure. Lamont didn’t appear in any of the other pictures. It had been his camera, after all. He had several shots from the beginning of the march, including one of Martin Luther King, Jr., at the front and Johnny nearby.

“That might be a collector’s item,” I whispered to Karen. “When this is all over, Miss Ella might sell it, get a little comfort for herself.”

We moved on to look at Harmony Newsome’s ardent young face. She was arm in arm with a solemn-eyed nun.

“Frankie,” Karen murmured.

Lamont had also photographed rictuses of hate in the crowd. He’d gotten one of the vilest of the racist signs—BURN THEM LIKE THEY DID THE JEWS—that littered the park, and he’d caught a can of pop just as it exploded in a cop’s face. Onlookers, their faces indistinct, seemed to be cheering.