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Chapters (57)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. 1 - ANACONDA FURY
  6. 2 - WILD PARENT
  7. 3 - NO GOOD DEED REMAINS UNPUNISHED
  8. 4 - HELLUVA CLIENT
  9. IN THE DETECTIVE’S ABSENCE I
  10. 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
  11. 6 - FIT FOR YOUR HOOF
  12. 7 - BAD BOY LAMONT??
  13. 8 - A VERY LATE-NIGHT CALL
  14. 9 - UNCOVERING HISTORY
  15. IN THE DETECTIVE’S ABSENCE II
  16. 10 - THE ROAR OF THE HOOF
  17. 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
  18. 12 - MEETING THE HAMMER IN THE TANK
  19. 13 - A WILD NIGHT AT THE END OF A PIER
  20. 14 - DREAMS OF OLDEN TIMES
  21. 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
  22. 16 - ALITO OFF GUARD
  23. 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
  24. 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
  25. 19 - EXUBERANT COUSIN
  26. 20 - TRUNK SHOW
  27. 21 - EVER-MORE-INQUISITIVE COUSIN
  28. 22 - A SCARY SIDEWALK
  29. 23 - VISIT A CLIENT . . . AND TALK
  30. 24 - FIRE IN THE NUNNERY
  31. 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
  32. 26 - AND NOW MURRAY
  33. 27 - IN THE FIRED HOUSE
  34. 28 - AND FIRE IN THE OLD HOMESTEAD
  35. 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
  36. 30 - LINE SPINNERS
  37. 31 - HOME IN TATTERS
  38. 32 - VANISHING COUSIN
  39. 33 - LOSING A FOLLOWER
  40. 34 - THE BOYS IN THE BACK ROOM
  41. 35 - IN THE HALL OF THE TITANS
  42. 36 - WHAT ON EARTH IS GOING ON?
  43. 37 - A BASS RIDE . . . OR WAS IT VILE?
  44. 38 - CONFESSION IN MYSPACE
  45. 39 - A DIFFERENT CAR, A NEW CRIB
  46. 40 - THE SHOEMAKER’S TALE
  47. 41 - ROUSTING AN UNCLE
  48. 42 - ROUGHING UP THE UNCLE
  49. 43 - DEATH OF NOT SUCH A GOOD GUY
  50. 44 - ESCAPE IN CONTAMINATED LAUNDRY
  51. 45 - THE GOOD BOOK . . . AND THE BAD BALL
  52. 46 - DISCOVERY
  53. 47 - A RIVER RUNS THROUGH IT
  54. 48 - UP AGAINST THE WALL . . . ALL OF YOU!
  55. 49 - GUILT ALL AROUND
  56. 50 - THE RATS ATTACK . . . EACH OTHER
  57. 51 - GABRIELLA’S VOICE RETURNED

I hoped I wasn’t pushing my luck, assuming that my pastor’s landline was open. After all, she was connected to some of the Freedom Center’s programs and might be getting the same federal scrutiny the nuns got. But I called my answering service, anyway, and found it had been deluged again with media calls, everyone wanting to interview the private eye whom the police badly wanted to question.

My clients were more squeamish. I spent almost an hour persuading two law firms to stay with me. A third wouldn’t return my calls, and I didn’t blame them. Until I could come out of hiding, I was a pretty sorry excuse for an investigator.

Bernardo, the big orange cat, appeared and decided I was better than no company at all. He began following me, winding in between my legs, so that I had to be careful not to trip over him. He jumped up onto the table next to the sofa bed while I was stripping the sheets off it and converting it back to a sofa and started sniffing my Smith & Wesson.

When I snatched the gun out of the way, he began exploring Miss Claudia’s Bible. My attention was on the gun, checking the safety and putting it in my tuck holster, so I didn’t see his leap, just Miss Claudia’s Bible flying off the table.

“Bernardo!” I cried. “That book took a beating last night. It doesn’t need you throwing it around. We’re holding it in trust.”

The spine, which had cracked during the flight through the laundry, split completely with the fall. I didn’t want to try to tape it together, which would damage the fragile leather, but I could put a rubber band around it and leave it at Karen’s until I had time to glue it properly.

The fall had opened the binding along the spine and pulled the leather away from the front cover. It was when I started to press the leather around the edges of the buckram cover boards underneath to hold the leather in place, that I saw the negatives poking out from beneath the endpaper. I sucked in a breath and sat down slowly, as if I were balancing a crate of eggs on my head.

I carefully peeled the endpaper back completely. There, between the buckram and the paper, were two strips of negatives inside a folded sheet of onionskin. I risked putting my battery back in my cellphone long enough to use the camera, shooting the strips the way I found them in the Bible under the endpaper, then shooting my own fingertips pulling them out. Each strip had twelve exposures on it. On the onionskin wrapping, in faded block letters, Lamont Gadsden had printed PICTURES TAKEN IN MARQUETTE PARK, AUGUST 6, 1966.