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Chapters (57)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. 1 - ANACONDA FURY
  6. 2 - WILD PARENT
  7. 3 - NO GOOD DEED REMAINS UNPUNISHED
  8. 4 - HELLUVA CLIENT
  9. IN THE DETECTIVE’S ABSENCE I
  10. 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
  11. 6 - FIT FOR YOUR HOOF
  12. 7 - BAD BOY LAMONT??
  13. 8 - A VERY LATE-NIGHT CALL
  14. 9 - UNCOVERING HISTORY
  15. IN THE DETECTIVE’S ABSENCE II
  16. 10 - THE ROAR OF THE HOOF
  17. 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
  18. 12 - MEETING THE HAMMER IN THE TANK
  19. 13 - A WILD NIGHT AT THE END OF A PIER
  20. 14 - DREAMS OF OLDEN TIMES
  21. 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
  22. 16 - ALITO OFF GUARD
  23. 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
  24. 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
  25. 19 - EXUBERANT COUSIN
  26. 20 - TRUNK SHOW
  27. 21 - EVER-MORE-INQUISITIVE COUSIN
  28. 22 - A SCARY SIDEWALK
  29. 23 - VISIT A CLIENT . . . AND TALK
  30. 24 - FIRE IN THE NUNNERY
  31. 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
  32. 26 - AND NOW MURRAY
  33. 27 - IN THE FIRED HOUSE
  34. 28 - AND FIRE IN THE OLD HOMESTEAD
  35. 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
  36. 30 - LINE SPINNERS
  37. 31 - HOME IN TATTERS
  38. 32 - VANISHING COUSIN
  39. 33 - LOSING A FOLLOWER
  40. 34 - THE BOYS IN THE BACK ROOM
  41. 35 - IN THE HALL OF THE TITANS
  42. 36 - WHAT ON EARTH IS GOING ON?
  43. 37 - A BASS RIDE . . . OR WAS IT VILE?
  44. 38 - CONFESSION IN MYSPACE
  45. 39 - A DIFFERENT CAR, A NEW CRIB
  46. 40 - THE SHOEMAKER’S TALE
  47. 41 - ROUSTING AN UNCLE
  48. 42 - ROUGHING UP THE UNCLE
  49. 43 - DEATH OF NOT SUCH A GOOD GUY
  50. 44 - ESCAPE IN CONTAMINATED LAUNDRY
  51. 45 - THE GOOD BOOK . . . AND THE BAD BALL
  52. 46 - DISCOVERY
  53. 47 - A RIVER RUNS THROUGH IT
  54. 48 - UP AGAINST THE WALL . . . ALL OF YOU!
  55. 49 - GUILT ALL AROUND
  56. 50 - THE RATS ATTACK . . . EACH OTHER
  57. 51 - GABRIELLA’S VOICE RETURNED

I FINALLY RETURNED TO MORRELL’S PLACE, TOO WORN BY my emotional storm to do anything but sleep. When I woke again, it was after six. I went into the kitchen to make a cup of tea and found that Max had slid a note through the back door on his way home.

Karen Lennon was looking for you this afternoon. She says your client, Miss Claudia, is slipping out of this life but has asked for you off and on all day. Captain Mallory called on Lotty at her clinic this afternoon. He needs to see you urgently but wouldn’t tell Lotty why. I got the news that you’re safe to Mr. Contreras and Lotty, but felt I shouldn’t let them know where you are.

Max

I drank tea, slowly. I felt like someone convalescing from a devastating illness, that if I moved too quickly the fever would return and carry me away for good.

Bobby wanted to see me. He had gone to the clinic in person, hadn’t sent a minion. He knows Lotty, knows that the sight of a police badge stirs such terrible memories in her that even the best cop in the world receives a hostile reception, but, even so, for a routine inquiry he would have sent Terry Finchley. So he needed me badly and he needed me privately.

But Miss Claudia was slipping out of this life. She might have died while I was weeping in Millennium Park. I finished the tea and carefully washed the mug. Morrell would be quite cross if he came home from Afghanistan to find it dirty in his sink.

I looked wistfully at the phone. The trouble with the Age of Fear is that you don’t know who is listening in on your conversations. You don’t know if you can talk safely or not. Probably I could talk to Karen Lennon without anyone else catching the call, but the possibility that I’d jeopardize my safe house meant I couldn’t work on probabilities.

It was too late in the day to expect to find Karen at Lionsgate Manor. I drove down to Howard Street, the honky-tonk dividing line between Chicago’s Mexican-Pakistani-Russian north border and the very much more staid Evanston, and found a pay phone at the El stop there. Even more amazing, the phone’s cord and handset were both attached, and the phone asked me to deposit a dollar when I listened to it. I put my battery in my cellphone just long enough to look up Karen Lennon’s contact information, then called her cell from the pay phone.