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Chapters (57)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. 1 - ANACONDA FURY
  6. 2 - WILD PARENT
  7. 3 - NO GOOD DEED REMAINS UNPUNISHED
  8. 4 - HELLUVA CLIENT
  9. IN THE DETECTIVE’S ABSENCE I
  10. 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
  11. 6 - FIT FOR YOUR HOOF
  12. 7 - BAD BOY LAMONT??
  13. 8 - A VERY LATE-NIGHT CALL
  14. 9 - UNCOVERING HISTORY
  15. IN THE DETECTIVE’S ABSENCE II
  16. 10 - THE ROAR OF THE HOOF
  17. 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
  18. 12 - MEETING THE HAMMER IN THE TANK
  19. 13 - A WILD NIGHT AT THE END OF A PIER
  20. 14 - DREAMS OF OLDEN TIMES
  21. 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
  22. 16 - ALITO OFF GUARD
  23. 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
  24. 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
  25. 19 - EXUBERANT COUSIN
  26. 20 - TRUNK SHOW
  27. 21 - EVER-MORE-INQUISITIVE COUSIN
  28. 22 - A SCARY SIDEWALK
  29. 23 - VISIT A CLIENT . . . AND TALK
  30. 24 - FIRE IN THE NUNNERY
  31. 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
  32. 26 - AND NOW MURRAY
  33. 27 - IN THE FIRED HOUSE
  34. 28 - AND FIRE IN THE OLD HOMESTEAD
  35. 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
  36. 30 - LINE SPINNERS
  37. 31 - HOME IN TATTERS
  38. 32 - VANISHING COUSIN
  39. 33 - LOSING A FOLLOWER
  40. 34 - THE BOYS IN THE BACK ROOM
  41. 35 - IN THE HALL OF THE TITANS
  42. 36 - WHAT ON EARTH IS GOING ON?
  43. 37 - A BASS RIDE . . . OR WAS IT VILE?
  44. 38 - CONFESSION IN MYSPACE
  45. 39 - A DIFFERENT CAR, A NEW CRIB
  46. 40 - THE SHOEMAKER’S TALE
  47. 41 - ROUSTING AN UNCLE
  48. 42 - ROUGHING UP THE UNCLE
  49. 43 - DEATH OF NOT SUCH A GOOD GUY
  50. 44 - ESCAPE IN CONTAMINATED LAUNDRY
  51. 45 - THE GOOD BOOK . . . AND THE BAD BALL
  52. 46 - DISCOVERY
  53. 47 - A RIVER RUNS THROUGH IT
  54. 48 - UP AGAINST THE WALL . . . ALL OF YOU!
  55. 49 - GUILT ALL AROUND
  56. 50 - THE RATS ATTACK . . . EACH OTHER
  57. 51 - GABRIELLA’S VOICE RETURNED

I looked at the soiled handkerchief. “I’ll wash this and get it back to you, but I have a lot to do first. A lot of ground to cover and not much time. You need to get Kimathi out of here. George Dornick knows where he is, and it would be pathetically easy for them to break in here. Kimathi has to go someplace where no one would think to look. And you have to make double and triple sure that no one is on your back when you move him. They’re sophisticated, and they have a lot of money to throw around.”

Rivers said, “I have a shotgun, and I was in Vietnam. I can look after—”

“No, you can’t. Dornick has firepower that makes Hamburger Hill look like a pie-throwing contest.”

“Listen to her, Curtis,” the lumberjack said softly. “She’s telling you for Kimathi’s sake. No time for ego-tripping here, brother.”

The machinist nodded. “We’ll take him away right now. You want him, Ms. Detective, you ask Curtis. Less you know, the better.”

He turned to Kimathi and began talking to him, cajoling him. Kimathi didn’t want to leave without Curtis. I thought I might start screaming. I wanted him out—now!—before Dornick or anyone else showed up here.

I parted the ropes to leave and realized I was still holding the red handbag. I returned and put it on the counter. “This bag has attached itself to me, Mr. Rivers … And I see, anyway, that I’ve stained it … I lost all my cards and whatnot in the fire, but, if you put it away for me, I’ll pay for it when I get the cash together.”

Rivers studied me up and down with somber eyes, then handed the bag to me. “I’m going to take a chance on you, Ms. Detective. You’ve extended yourself here today. And if you don’t come through with the money, heck, I can leave your body in George Dornick’s office, claim he was responsible.”

It was a feeble joke, but we had all been so tense that we burst out laughing. All but Kimathi, who jerked away when he saw me laugh. “They say I the song-and-dance man … They laugh.” That sobered me up in a hurry.

I asked Rivers to let me out through the back, into the alley, just to give myself a little comfort zone. On my way out, I again urged the chess players to follow with Kimathi as fast as possible.

Once I reached Morrell’s car, I moved quickly, pushed by a nervous energy so frantic that I found myself flooring the accelerator and taking terrible risks in the traffic on the Ryan. At least I wasn’t texting, or playing the tuba, at the same time.