Chapters (57)
- Title Page
- Copyright Page
- Dedication
- Acknowledgements
- 1 - ANACONDA FURY
- 2 - WILD PARENT
- 3 - NO GOOD DEED REMAINS UNPUNISHED
- 4 - HELLUVA CLIENT
- IN THE DETECTIVE’S ABSENCE I
- 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
- 6 - FIT FOR YOUR HOOF
- 7 - BAD BOY LAMONT??
- 8 - A VERY LATE-NIGHT CALL
- 9 - UNCOVERING HISTORY
- IN THE DETECTIVE’S ABSENCE II
- 10 - THE ROAR OF THE HOOF
- 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
- 12 - MEETING THE HAMMER IN THE TANK
- 13 - A WILD NIGHT AT THE END OF A PIER
- 14 - DREAMS OF OLDEN TIMES
- 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
- 16 - ALITO OFF GUARD
- 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
- 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
- 19 - EXUBERANT COUSIN
- 20 - TRUNK SHOW
- 21 - EVER-MORE-INQUISITIVE COUSIN
- 22 - A SCARY SIDEWALK
- 23 - VISIT A CLIENT . . . AND TALK
- 24 - FIRE IN THE NUNNERY
- 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
- 26 - AND NOW MURRAY
- 27 - IN THE FIRED HOUSE
- 28 - AND FIRE IN THE OLD HOMESTEAD
- 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
- 30 - LINE SPINNERS
- 31 - HOME IN TATTERS
- 32 - VANISHING COUSIN
- 33 - LOSING A FOLLOWER
- 34 - THE BOYS IN THE BACK ROOM
- 35 - IN THE HALL OF THE TITANS
- 36 - WHAT ON EARTH IS GOING ON?
- 37 - A BASS RIDE . . . OR WAS IT VILE?
- 38 - CONFESSION IN MYSPACE
- 39 - A DIFFERENT CAR, A NEW CRIB
- 40 - THE SHOEMAKER’S TALE
- 41 - ROUSTING AN UNCLE
- 42 - ROUGHING UP THE UNCLE
- 43 - DEATH OF NOT SUCH A GOOD GUY
- 44 - ESCAPE IN CONTAMINATED LAUNDRY
- 45 - THE GOOD BOOK . . . AND THE BAD BALL
- 46 - DISCOVERY
- 47 - A RIVER RUNS THROUGH IT
- 48 - UP AGAINST THE WALL . . . ALL OF YOU!
- 49 - GUILT ALL AROUND
- 50 - THE RATS ATTACK . . . EACH OTHER
- 51 - GABRIELLA’S VOICE RETURNED
I felt my temper rise again when I saw that she’d been rooting through my big walk-in closet. She’d pulled out my winter boots and my bike to get at the trunk, which stood open. She’d ripped apart the protective tissue in which I’d wrapped my mother’s velvet concert gown. The dress itself was flung over my armchair so that a sleeve and the skirt were on the floor; my dad’s dress jacket lay open on the piano bench.
“I guess I’m so used to living with my sisters and my roomie, I forgot not everyone wants to share,” Petra said in a small voice after a glance at my face.
“It’s not about sharing, it’s about consideration, empathy.” I picked up the evening gown and started to fold it back into the sheets of tissue, my hands shaking. “Do you know how many hours of lessons my mother gave so that she could buy this dress? How many evenings we ate pasta without sauce?
“Do you know what it’s like to live with so little that each possession has to be cared for and cherished? My mother started to rebuild her career in this gown. After each performance, I helped her hang it up, with dried apples and cloves to keep moths out of it. She could mend little tears in it, but, if it had been badly damaged, she couldn’t have afforded another. My mother died when I was sixteen. I don’t have much left to me that has her hands on it, her touch. I don’t want you near this trunk or her clothes.”
“I’m sorry, Vic. I was thinking about your dad, and you wanting to find something to show what he was doing in 1966. I didn’t think how this would look.”
I took a breath and tried to steady my voice. “I think it would be a good idea if you left now.”
“But aren’t you going to look at your dad’s stuff?” she asked as I started to fold Tony’s jacket.
“By myself. When I feel up to it. I’m late now for a meeting with a client.” I tried to find a lighter note. “Doesn’t the Chicago Strangler expect you to show up some time? Even if you were yesterday’s hero, you could be today’s goat. Campaigns aren’t forgiving places.”
She started to explain how relaxed her work atmosphere was. “… And, anyway, because Brian’s dad and my dad were, like, homeys, Brian knows that family comes first.”
“Brian told you to come look at my dad’s dress uniform because he and Peter grew up together?”
She turned red. “No, of course not. I just meant … Oh, never mind. I’ll see you tonight, okay? We can go look at Back of the Yards!”