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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

Fuchsia, watching her mother, felt in spite of herself a quickening of something akin to pity for the little burden she carried. Almost a qualm of nearness, of fondness, for since she had seen her brother tear at the leaves that encased him, she had known that there was another being in the room for whom the whole fustian of Gormenghast was a thing to flee from. She had imagined in a hot blur of jealousy that her brother would be a beautiful baby, but when she saw him and found that he was anything but beautiful, she warmed to him, her smouldering eyes taking on, for a second, something of that look which her mother kept exclusively for her birds and the white cats.

The Countess held Titus up into the sunlight of the window and examined his face, making noises in her cheek to the grey bird as she did so. Then she turned him around and examined the back of his head for some considerable time.

‘Bring the crown,’ she said.

Doctor Prunesquallor came up with his elbows raised and the fingers of both hands splayed out, the metal crown poised between them. His eyes rolled behind his lenses.

‘Shall I crown him in the sunlight? ha, he, ha, positively crown him,’ he said, and showed the Countess the same series of uncompromising teeth that he had honoured Cora with several minutes before.

Titus had stopped crying and in his mother’s prodigious arms looked unbelievably tiny. He had not been hurt, but frightened by his fall. Only a sob or two survived and shook him every few seconds.

‘Put it on his head,’ said the Countess. Doctor Prunesquallor bent forward from the hips in a straight oblique line. His legs looked so thin in their black casing that when a small breath of wind blew from the garden it seemed that the material was blown inwards beyond that part where his shin bones should have been. He lowered the crown upon the little white potato of a head.

‘Sourdust,’ she said without turning round, ‘come here.’

Sourdust lifted his head. He had recovered the book from the floor and was fitting the torn piece of paper into position on the corner of the torn page, and smoothing it out shakily with his forefinger.

‘Come along, come along now!’ said the Countess.

He came around the corner of the table and stood before her.

‘We’ll go for a walk, Sourdust, on the lawn and then you can finish the christening. Hold yourself still, man’, she said. ‘Stop rattling.’

Sourdust bowed, and feeling that to interrupt a christening of the direct heir in this way was sacrilege, followed her out of the window, while she called out over her shoulder, ‘all of you! all of you! servants as well!’