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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

Sourdust coughed in a very ill way and put his hand to his chest. He glanced down at the book and ran his finger along a new line. Then he tottered around the table, his knotted grey-and-white beard swinging a little from side to side, and ushered the five into a semi-circle around the table, with their backs to the window. In the centre were the Countess and Lord Sepulchrave. Fuchsia was to her father’s left and Doctor Prunesquallor on the right of Lady Groan, but a little behind the semi-circle. The twin sisters were separated, one standing at either extremity of the arc. Flay and Swelter had retreated a few paces backwards and stood quite still. Flay bit at his knuckles.

Sourdust returned to his position behind the table which he held alone, and was relatively more impressive now that the crag of Flay and the mound of Swelter no longer dwarfed him. He lifted his voice again, but it was hard for him to speak, for there were tears in his throat and the magnitude of his office weighed heavily on him. As a savant in the Groan lore he knew himself to be spiritually responsible for the correct procedure. Moments such as this were the highlights in the ritualistic cycle of his life.

‘Suns and the changing of the seasonal moons; the leaves from trees that cannot keep their leaves, and the fish from olive waters have their voices!’

His hands were held before him as though in prayer, and his wrinkled head was startlingly apparent in the clear light of the room. His voice grew stronger.

‘Stones have their voices and the quills of birds; the anger of the thorns, the wounded spirits, the antlers, ribs that curve, bread, tears and needles. Blunt boulders and the silence of cold marshes – these have their voices – the insurgent clouds, the cockerel and the worm.’

Sourdust bent down over his book and found the place with his finger and then turned the page.

‘Voices that grind at night from lungs of granite. Lungs of blue air and the white lungs of rivers. All voices haunt all moments of all days; all voices fill the crannies of all regions. Voices that he shall hear when he has listened, and when his ear is tuned to Gormenghast; whose voice is endlessness of endlessness. This is the ancient sound that he must follow. The voice of stones heaped up into grey towers, until he dies across the Groan’s death-turret. And banners are ripped down from wall and buttress and he is carried to the Tower of Towers and laid among the moulderings of his fathers.’

‘How much more is there?’ said the Countess. She had been listening less attentively than the occasion merited and was feeding with crumbs from a pocket in her dress a grey bird on her shoulder.