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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

Nannie suddenly realized that the old man was making signs at her, and understood that she was to lift the infant up in the air as though he were a specimen, or something to be auctioned. She lifted him, but no one looked at the exhibit except Prunesquallor, who nearly engulfed Nannie, baby and all with a smile so devouring, so dental, as to cause Nannie to raise her shoulder against it and to snatch Titus back to her little flat chest.

‘I will turn my back on you and strike the table four times,’ said Sourdust. ‘Slagg will bring the child to the table and Lord Sepulchrave will –’ here he suffered a more violent fit of coughing than ever, and at the same moment Irma’s neck quivered a little and she in her own way followed suit with five little ladylike barks. She turned her head apologetically in the direction of the Countess and wrinkled her forehead in self-deprecation. She could see that the Countess had taken no notice of her mute apology. She arched her nostrils. It had not crossed her mind there was a smell in the room other than the prevalent smell of musty leather: it was just that her nostrils with their hypersensitive nerve-endings were acting on their own accord.

Sourdust took some time to recover from his bout, but eventually he straightened himself and repeated:

‘Slagg will bring the child to the table, and Lord Sepulchrave will graciously advance, following his menial, and on arriving at a point immediately behind me will touch the back of my neck with the forefinger of his left hand.

‘At this signal I and Slagg will retire, and Slagg, having left the infant on the table, Lord Sepulchrave will pass behind the table and stand facing us across its surface.’

‘Are you hungry, my little love? Is there no grain inside you? Is that it? Is that it?’

The voice came forth so suddenly and heavily and so closely upon the quavering accents of Sourdust that everyone felt for the first few moments that the remark was addressed to them personally; but on turning their heads they could see that the Countess was addressing herself exclusively to the wood warbler. Whether the warbler made any reply was never ascertained for not only was Irma seized with a new and less ladylike bout of short dry coughs, but her brother and Nannie Slagg, joining her, filled the room with noise.