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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

Flay had managed to find five chairs, which he placed in a line before the table. Nannie, with Titus on her lap, took up the central position. On her right Lord Sepulchrave and on her left the Countess Gertrude sat in attitudes peculiar to them, the former with his right elbow on the arm of the chair and his chin lost in the palm of his hand, and the Countess obliterating the furniture she sat in. On her right sat the Doctor, his long legs crossed and a footling smile of anticipation on his face. At the other end of the row his sister sat with her pelvis at least a foot to the rear of an excited perpendicular – her thorax, neck and head. Fuchsia, for whom, much to her relief, no chair was to be found, stood behind them, her hands behind her back. Between her fingers a small green handkerchief was being twisted round and round. She watched the ancient Sourdust take a step forward and wondered what it must feel like to be so old and wrinkled, ‘I wonder if I’ll ever be as old as that,’ she thought; ‘an old wrinkled woman, older than my mother, older than Nannie Slagg even.’ She gazed at the black mass of her mother’s back. ‘Who is there anyway who isn’t old? There isn’t anybody. Only that boy who hasn’t any lineage. I wouldn’t mind much, but he’s different from me and too clever for me. And even he’s not young. Not like I’d like my friends to be.’

Her eyes moved along the line of heads. One after the other: old heads that didn’t understand.

Her eyes rested at last on Irma.

‘She hasn’t any lineage, either,’ said Fuchsia to herself, ‘and her neck is much too clean and it’s the longest and thinnest and funniest I’ve ever seen. I wonder if she’s really a white giraffe all the time, and pretending she isn’t.’ Fuchsia’s mind flew to the stuffed giraffe’s leg in the attic. ‘Perhaps it belongs to her,’ she thought. And the idea so appealed to Fuchsia that she lost control of herself and spluttered.

Sourdust, who was about to begin and had raised his old hand for the purpose, started and peered across at her, Mrs Slagg clutched Titus a little tighter and listened very hard for anything further. Lord Sepulchrave did not move his body an inch, but opened one eye slowly. Lady Gertrude, as though Fuchsia’s splutter had been a signal, shouted to Flay, who was behind the library door:

‘Open the door and let that bird in! What are you waiting for, man?’ Then she whistled with a peculiar ventriloquism, and a wood warbler sped, undulating through the long, dark hollow of library air, to land on her finger.