Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
As Flay helped him dress, neither of them speaking a word, Lord Sepulchrave thought of all this, and fastening a jewelled pin at his collar he sighed, and within the doomed and dark sea-murmur of that sigh was the plashing sound of a less mournful billow. And then, as he gazed absently past himself in the mirror at Flay, another comber of far pleasure followed the first, for his books came suddenly before his eyes, row upon row of volumes, row upon priceless row of calf-bound Thought, of philosophy and fiction, of travel and fantasy; the stern and the ornate, the moods of gold or green, of sepia, rose, or black; the picaresque, the arabesque, the scientific – the essays, the poetry and the drama.
All this, he felt, he would now re-enter. He could inhabit the world of words, with, at the back of his melancholy, a solace he had not known before.
‘Then next,’ said Mrs Slagg, counting on her fingers, ‘there’s your mother, of course. Your father and your mother – that makes Two.’ Lady Gertrude had not thought of changing her dress. Nor had it occurred to her to prepare for the gathering.
She was seated in her bedroom. Her feet were planted widely apart as though for all time. Her elbows weighed on her knees, from between which the draperies of her skirt sagged in heavy U-shaped folds. In her hands was a paper-covered book, with a coffee-stain across its cover and with as many dogs’ ears as it had pages. She was reading aloud in a deep voice that rose above the steady drone of a hundred cats. They filled the room. Whiter than the tallow that hung from the candelabra or lay broken on the table of birdseed. Whiter than the pillows on the bed. They sat everywhere. The counterpane was hidden with them. The table, the cupboards, the couch, all was luxuriant with harvest, white as death, but the richest crop was all about her feet where a cluster of white faces stared up into her own. Every luminous, slit-pupilled eye was upon her. The only movement lay in the vibration in their throats. The voice of the Countess moved on like a laden ship upon a purring tide.
As she came to the end of every right hand page and was turning it over her eyes would move around the room with an expression of the deepest tenderness, her pupils filling with the minute white reflections of her cats.
Then her eyes would turn again to the printed page. Her enormous face had about it the wonderment of a child as she read. She was re-living the story, the old story which she had so often read to them.