Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
He decided to pay a very short visit and then to take a stroll to the wood, where he thought he might find Fuchsia, for she had made a habit of lying for hours beneath a certain pine in what she fondly imagined was a secret glade.
Steerpike decided he would see them for a few moments, and at once he moved rapidly across the quadrangle. A fitful light was breaking through the clouds, and the arches circumscribing the quadrangle cast pale shadows that weakened or intensified as the clouds stole across the sun. Steerpike shuddered as he entered the sunless castle.
When he came to the door of the aunts’ apartments he knocked, and entered at once. There was a fire burning in the grate and he walked towards it, noticing as he did so the twin heads of Cora and Clarice twisted on their long powdered necks. Their eyes were staring at him over the embroidered back of their couch, which had been pulled up to the fire. They followed him with their heads, their necks unwinding as he took up a position before them with his back to the fire, his legs astride, his hands behind him.
‘My dears,’ he said, fixing them in turn with his magnetic eyes; ‘my dears, how are you? But what need is there to ask? You both look radiant. Lady Clarice, I have seldom seen you look lovelier; and your sister refuses to let you have it all your own way. You refuse utterly, Lady Cora, don’t you? You are about as bridal as I ever remember you. It is a delight to be with you again.’
The twins stared at him and wriggled, but no expression appeared in their faces.
After a long silence during which Steerpike had been warming his hands at the blaze Cora said, ‘Do you mean that I’m glorious?’
‘That’s not what he said,’ came Clarice’s flat voice.
‘Glorious’, said Steerpike, ‘is a dictionary word. We are all imprisoned by the dictionary. We choose out of that vast, paper-walled prison our convicts, the little black printed words, when in truth we need fresh sounds to utter, new enfranchised noises which would produce a new effect. In dead and shackled language, my dears, you are glorious, but oh, to give vent to a brand new sound that might convince you of what I really think of you, as you sit there in your purple splendour, side by side! But no, it is impossible. Life is too fleet for onomatopoeia. Dead words defy me. I can make no sound, dear ladies, that is apt.’
‘You could try,’ said Clarice. ‘We aren’t busy.’
She smoothed the shining fabric of her dress with her long, lifeless fingers.
‘Impossible,’ replied the youth, rubbing his chin. ‘Quite impossible. Only believe in my admiration for your beauty that will one day be recognized by the whole castle. Meanwhile, preserve all dignity and silent power in your twin bosoms.’