Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
They descended together, and when they had come to the level ground they unfastened their cloaks, removed their heavy shoes and stripped themselves naked. Rantel flung his clothes away to the sloping grass. Braigon folded his coarse garments and laid them across a boulder. He saw that Rantel was feeling the edge of his blade which danced in the moonlight like a splinter of glass.
They said nothing. They tested the slippery grass with their naked feet.
Then they turned to one another. Braigon eased his fingers around the short bone hilt. Neither could see the expression in the other’s face for their features were lost in the shadows of their brows and only their tangled hair held the light. They crouched and began to move, the distance closing between them, the muscles winding across their backs.
With Keda for hearts’ reason, they circled, they closed, they feinted, their blades parrying the thrusts of the knife by sudden cross movements of their forearms.
When Rantel carved it was onslaught. It was as though the wood were his enemy. He fought it with rasp and chisel, hacking its flesh away until the shape that he held in his mind began to surrender to his violence. It was in this way that he fought. Body and brain were fused into one impulse – to kill the man who crouched before him. Not even Keda was in his mind now.
His eyes embraced the slightest movement of the other’s body, of his moving feet, of his leaping knife. He saw that around Braigon’s left arm a line of blood was winding from a gash in the shoulder. Rantel had the longer reach, but swiftly as his knife shot forward to the throat or breast, Braigon’s forearm would swing across behind it and smack his arm away from its target. Then at the impact Rantel would spin out of range, and again they would circle and close in upon one another, their shoulders and arms gleaming in the unearthly brilliance.
As Braigon fought he wondered where Keda was. He wondered whether there could ever be happiness for her after himself or Rantel had been killed; whether she could forget that she was the wife of a murderer: whether to fight were not to escape from some limpid truth. Keda came vividly before his eyes, and yet his body worked with mechanical brilliance, warding off the savage blade and attacking his assailant with a series of quick thrusts, drawing blood from Rantel’s side.