Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
Fuchsia could see three short stretches of the river from her window. This afternoon the central portion and that to its right were black with the reflection of the Mountain, and the third, away to the west beyond the rocky plateau, was a shadowy white strip that neither glanced nor sparkled, but, mirroring the opaque sky, lay lifeless and inert, like a dead arm.
Fuchsia left the window abruptly and closing the door after her with a crash, ran all the way down the stairs, almost falling as she slipped clumsily on the last flight, before threading a maze of corridors to emerge panting in the chilly sunlight.
Breathing in the sharp air she gulped and clenched her hands together until her nails bit at her palms. Then she began to walk. She had been walking for over an hour when she heard footsteps behind her and, turning, saw Steerpike. She had not seen him since the night at the Prunesquallors’ and never as clearly as now, as he approached her through the naked autumn. He stopped when he noticed that he was observed and called.
‘Lady Fuchsia! May I join you?’
Behind him she saw something which by contrast with the alien, incalculable figure before her, was close and real. It was something which she understood, something which she could never do without, or be without, for it seemed as though it were her own self, her own body, at which she gazed and which lay so intimately upon the skyline. Gormenghast. The long, notched outline of her home. It was now his background. It was a screen of walls and towers pocked with windows. He stood against it, an intruder, imposing himself so vividly, so solidly, against her world, his head overtopping the loftiest of its towers.
‘What do you want?’ she said.
A breeze had lifted from beyond the Twisted Woods and her dress was blown across her so that down her right side it clung to her showing the strength of her young body and thighs.
‘Lady Fuchsia!’ shouted Steerpike across the strengthening wind. ‘I’ll tell you.’ He took a few quick paces towards her and reached the sloping rock on which she stood. ‘I want you to explain this region to me – the marshes and Gormenghast Mountain. Nobody has ever told me about it. You know the country – you understand it,’ (he filled his lungs again) ‘and though I love the district I’m very ignorant.’ He had almost reached her. ‘Can I share your walks, occasionally? Would you consider the idea? Are you returning?’ Fuchsia had moved away. ‘If so, may I accompany you back?’
‘That’s not what you’ve come to ask me,’ said Fuchsia slowly. She was beginning to shake in the cold wind.
‘Yes, it is,’ said Steerpike, ‘it is just what I’ve come to ask you. And whether you will tell me about Nature.’