Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
‘Before I begin,’ said Steerpike, placing his innocent-looking swordstick on a table, ‘may I inquire out of my innocence why you ladies were put to the inconvenience of bidding me to enter your room? Surely your footman has forgotten himself. Why was he not at the door to inquire who wished to see you and to give you particulars before you allowed yourselves to be invaded? Forgive my curiosity, my dear Ladyships, but where was your footman? Would you wish me to speak to him?’
The sisters stared at each other and then at the youth. At last Clarice said:
‘We haven’t got a footman.’
Steerpike, who had turned away for this very purpose, wheeled about, and then took a step backwards as though struck.
‘No footman!’ he said, and directed his gaze at Cora.
She shook her head. ‘Only an old lady who smells,’ she said. ‘No footman at all.’
Steerpike walked to the table and, leaning his hands upon it, gazed into space.
‘Their Ladyships Cora and Clarice Groan of Gormenghast have no footman – have no one save an old lady who smells. Where are their servants? Where are their retinues, their swarms of attendants?’ And then in a voice little above a whisper: ‘This must be seen to. This must end.’ With a clicking of his tongue he straightened his back. ‘And now’, he continued in a livelier voice, ‘the needlework is waiting.’
What Steerpike had said, as they toured the walls, began to re-fertilize those seeds of revolt which he had sown at the Prunesquallors’. He watched them out of the corner of his eyes as he flattered their handiwork, and he could see that although it was a great pleasure for them to show their craft, yet their minds were continually returning to the question he had raised. ‘We do it all with our left hands, don’t we, Cora?’ Clarice said, as she pointed to an ugly green-and-red rabbit of intricate needlework.
‘Yes,’ said Cora, ‘it takes a long time because it’s all done like that – with our left hands. Our right arms are starved, you know,’ she said, turning to Steerpike. ‘They’re quite, quite starved.’
‘Indeed, your Ladyship,’ said Steerpike. ‘How is that?’
‘Not only our left arms,’ Clarice broke in, ‘but all down our left-hand sides and our right-hand legs, too. That’s why they’re rather stiff. It was the epileptic fits which we had. That’s what did it and that’s what makes our needlework all the more clever.’
‘And beautiful,’ said Cora.
‘I cannot but agree,’ said Steerpike.
‘But nobody sees them,’ said Clarice. ‘We are left alone. Nobody wants our advice on anything. Gertrude doesn’t take any notice of us, nor does Sepulchrave. You know what we ought to have, don’t you, Cora?’
‘Yes,’ said her sister, ‘I know.’
‘What, then?’ said Clarice. ‘Tell me. Tell me.’
‘Power,’ said Cora.