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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

Cora turned her eyes suspiciously. ‘You have been watching me,’ she said. ‘Haven’t you?’

‘It wasn’t private,’ replied her sister. ‘Sewing isn’t private.’ She tossed her head.

Cora was not convinced and sat rubbing her knees together, sullenly.

‘And now I’ve finished as well,’ said Clarice, breaking the silence. ‘Half a petal, and quite enough, too, for a day like this. Is it tea time?’

‘Why do you always want to know the time?’ said Cora, “Is it breakfast time, Cora?” … “Is it dinner time, Cora?” … “Is it tea time, Cora?” – on and on and on. You know that it doesn’t make any difference what the time is.’

‘It does if you’re hungry,’ said Clarice.

‘No, it doesn’t. Nothing matters very much; even if you’re hungry.’

‘Yes, it does,’ her sister contested, ‘I know it does.’

‘Clarice Groan,’ said Cora sternly, rising from her chair, ‘you know too much.’

Clarice did not answer, but bit her thin, loose lower lip.

‘We usually go on much longer with our sewing, don’t we, Cora?’ she said at last. ‘We sometimes go on for hours and hours, and we nearly always talk a lot, but we haven’t today, have we, Cora?’

‘No,’ said Cora.

‘Why haven’t we?’

‘I don’t know. Because we haven’t needed to, I suppose, you silly thing.’

Clarice got up from her chair and smoothed her purple satin, and then looked archly at her sister. ‘I know why we haven’t been talking,’ she said.

‘Oh no, you don’t.’

‘Yes, I do,’ said Clarice. ‘I know.’

Cora sniffed, and after walking to a long mirror in the wall with a swishing of her skirts, she readjusted a pin in her hair. When she felt she had been silent long enough:

‘Oh no, you don’t,’ she said, and peered at her sister in the mirror over the reflection of her own shoulder. Had she not had forty-nine years in which to get accustomed to the phenomenon she must surely have been frightened to behold in the glass, next to her own face, another, smaller, it is true, for her sister was some distance behind her, but of such startling similarity.

She saw her sister’s mouth opening in the mirror.

‘I do,’ came the voice from behind her, ‘because I know what you’ve been thinking. It’s easy.’

‘You think you do,’ said Cora, ‘but I know you don’t, because I know exactly what you’ve been thinking all day that I’ve been thinking and that’s why.’

The logic of this answer made no lasting impression upon Clarice, for although it silenced her for a moment she continued: ‘Shall I tell you what you’ve been brooding on?’ she asked.

‘You can if you like, I suppose. I don’t mind. What, then? I might as well incline my ear. Go on.’