Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
When they were almost swallowed into the darkness, Steerpike rose to his feet and flexed his cape-shrouded legs to get the stiffness from them, and then, keeping the sound of Mr Flay’s knees safely within earshot, he followed them silently.
Poor Mrs Slagg was utterly exhausted by the time they arrived at the library, for she had consistently refused to allow Flay to carry Titus, for he had, much against his better judgement, offered to do so when he saw how she was continually stumbling over the irregularities of the ground, and when, among the conifers how she caught her feet in the pine roots and ground creepers.
The cold air had thoroughly wakened Titus, and although he did not cry it was obvious that he was disconcerted by this unusual adventure in the dark. When Flay knocked at the door and they entered the library, he began to whimper and struggle in the nurse’s arms.
Flay retired to the darkness of his corner, where there was presumably some chair for him to sit on. All he said was: ‘I’ve brought them, Lordship.’ He usually left out the ‘your’ as being unnecessary for him as Lord Sepulchrave’s primary attendant.
‘So I see,’ said the Earl of Groan, advancing down the room, ‘I have disturbed you, nurse, have I not? It is cold outside. I have just been out to get these for him.’
He led Nannie to the far side of the table. On the carpet in the lamplight lay scattered a score of fir cones, each one with its wooden petals undercut with the cast shadow of the petal above it.
Mrs Slagg turned her tired face to Lord Sepulchrave. For once she said the right thing. ‘Are they for his little Lordship, sir?’ she queried. ‘Oh, he will love them, won’t you, my only?’
‘Put him among them. I want to talk to you,’ said the Earl. ‘Sit down.’
Mrs Slagg looked around for a chair and seeing none turned her eyes pathetically towards his Lordship, who was now pointing at the floor in a tired way. Titus, whom she had placed amongst the cones, was alternately turning them over in his fingers and sucking them.
‘It’s all right, I’ve washed them in rainwater,’ said Lord Groan. ‘Sit on the floor, nurse, sit on the floor.’ Without waiting, he himself sat upon the edge of the table, his feet crossed before him, his hands upon the marble surface at his side.
‘Firstly,’ he said, ‘I have had you come this way to tell you that I have decided upon a family gathering here in a week’s time. I want you to inform those concerned. They will be surprised. That does not matter. They will come. You will tell the Countess. You will tell Fuchsia. You will also inform their Ladyships Cora and Clarice.’