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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

Steerpike in a well-cut uniform of black cloth, advanced to the sisters and bowed. ‘Your Ladyships,’ he said, ‘I am delighted to have the honour of being beneath the same roof. It is an intimacy that I shall never forget.’ And then, as though he were ending a letter – ‘I am your very humble servant,’ he added.

Clarice turned herself to Cora, but kept her eyes on Steerpike.

‘He says he’s glad he’s under the same roof as us,’ she said.

‘Under the same roof,’ echoed Cora. ‘He’s very glad of it.’

‘Why?’ said Clarice emptily. ‘What difference does it make about the roof?’

‘It couldn’t make any difference whatever the roof’s like,’ said her sister.

‘I like roofs,’ said Clarice; ‘they are something I like more than most things because they are on top of the houses they cover, and Cora and I like being over the tops of things because we love power, and that’s why we are both fond of roofs.’

‘That’s why,’ Cora continued. ‘That’s the reason. Anything that’s on top of something else is what we like, unless it is someone we don’t like who’s on top of something we are pleased with like ourselves. We’re not allowed to be on top, except that our own room is high, oh, so high up in the castle wall, with our Tree – our own Tree that grows from the wall, that is so much more important than anything Gertrude has.’

‘Oh yes,’ said Clarice; ‘she hasn’t anything as important as that. But she steals our birds.’

She turned her expressionless eyes to Cora, who met them as though she were her sister’s reflection. It may be that between them they recognized shades of expression in each other’s faces, but it is certain that no one else, however keen his eyesight, could have detected the slightest change in the muscles that presumably governed the lack of expressions of their faces. Evidently this reference to stolen birds was the reason why they came nearer to each other so that their shoulders touched. It was obvious that their sorrow was conjoined.

Dr Prunesquallor had, during all this, been trying to shepherd them into the chairs by the fire, but to no avail. They had no thought for others when their minds were occupied. The room, the persons around them ceased to exist. They had only enough room for one thought at a time.