Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
He watched the chef approach the symbol of himself asleep outside his master’s room, curled up as he always was. By now the tardiness of the approach was unendingly slow. The feet in their thick soles would descend an inch at a time, and as they touched the ground the figure cocked his head of lard upon one side and his eyes rolled upwards as he listened for his own footfall. When within three feet of the sack the chef raised the cleaver in both hands and with his legs wide apart to give him a broader area of balance, edged his feet forward, one after the other, in little, noiseless shiftings. He had now judged the distance between himself and the sleeping emblem of his hate. Flay shut his eyes as he saw the cleaver rise in the air above the cumulous shoulder and the steel flared in the green light.
When he opened his eyes again, Abiatha Swelter was no longer by the sack, which appeared to be exactly as he had last seen it. He was at the chalk arrow again and was creeping forward as before. The horror that had filled Flay was aggravated by a question that had entered his mind. How did Swelter know that he slept with his chin at his knees? How did Swelter know his head always pointed to the east? Had he been observed during his sleeping hours? Flay pressed his face to the window for the last time. The dreadful repetition of the same murderous tip-toeing journey towards the sack, struck such a blow at the very centre of his nervous control that his knees gave way and he sank to his haunches on the barrel and wiped the back of his hand across his forehead. Suddenly his only thought was of escape – of escape from a region of the castle that could house such a friend; to escape from that window of green light; and, scrambling from the cask, he stumbled into the mist-filled darkness and, never turning his head again to the scene of horror, made tracks for the archway from whence he had deviated so portentously from his course.
Once within the building he made directly for the main stairs and with gigantic paces climbed like a mantis to the floor in which Nannie Slagg’s room was situated. It was some time before he came to her door, for the west wing in which she lived was on the opposite side of the building and necessitated a détour through many halls and corridors.
She was not in her room, and so he went at once to Lady Fuchsia’s, where, as he had surmised, he found her sitting by the fire with little of the deference which he felt she should display in front of his Lordship’s daughter.