Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
This time Flay was surprised to find that the room appeared empty, but, with a start at its dreadful nearness, he found that the chef was sitting on a bench against the wall and immediately below him. It was not easy to see him clearly through the filth and cobwebs of the window, but the great pasty dome of his head surrounded by the lamp-tinted whiteness of his swollen clothes, seemed, when Flay located them, almost at arm’s length. This proximity injected into Mr Flay’s bones a sensation of exquisite horror. He stood fascinated at the pulpy baldness of the chef’s cranium and as he stared a portion of its pale plush contracted in a spasm, dislodging an October fly. Nothing else moved. Mr Flay’s eyes shifted for a moment and he saw a grindstone against the wall opposite. Beside it was a wooden stool. To his right, he saw two boxes placed about four feet apart. On either side of these wooden boxes two chalk lines ran roughly parallel to each other, and passed laterally along the room below Mr Flay. Nearing the left hand wall of the room they turned to the right, keeping the same space between them, but in their new direction they could not proceed for more than a few feet before being obstructed by the wall. At this point something had been written between them in chalk, and an arrow pointed toward the wall. The writing was hard to read, but after a moment Flay deciphered it as: ‘To the Ninth stairs.’ This reading of the chalk came as a shock to Mr Flay, if only for the reason that the Ninth stairs were those by which Lord Sepulchrave’s bedroom was reached from the floor below. His eyes returned swiftly to the rough globe of a head beneath him, but there was still no movement except perhaps the slight vibration of the chef’s breathing.
Flay turned his eyes again to the right where the two boxes were standing, and he now realized that they represented either a door or an entrance of some sort from which led this chalked passageway before it turned to the right in the direction of the Ninth stairs. But it was upon a long sack which had at first failed to attract his attention that he now focused his eyes. It lay as though curled up immediately between and a little in advance of the two boxes. As he scrutinized it, something terrified him, something nameless, and which he had not yet had time to comprehend, but something from which he recoiled.
A movement below him plucked his eyes from the sack and a huge shape arose. It moved across the room, the whiteness of the enveloping clothes tinctured by the lime-green lamp above. It sat beside the grindstone. It held in its hand what seemed, in proportion to its bulk, a small weapon, but which was in reality a two-handed cleaver.