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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

Revisiting those wilder parts of the environs that she had almost forgotten, she experienced both exaltation and loneliness. This mixture of the sweet and bitter became necessary to her, as her attic had been necessary. She watched with frowning eyes the colour changing on the trees and loaded her pockets with long golden leaves and fire-coloured ferns and, indeed, with every kind of object which she found among the wood and rocky places. Her room became filled with stones of curious shapes that had appealed to her, fungi resembling hands or plates; queer-shaped flints and contorted branches; and Mrs Slagg, knowing it would be fruitless to reproach her, gazed each evening, with her fingers clutching her lower lip, at Fuchsia emptying her pockets of fresh treasures and at the ever-growing hoard that had begun to make the room a tortuous place to move about in.

Among Fuchsia’s hieroglyphics on the wall great leaves had begun to take residence, pinned or pasted between her drawings, and areas of the floor were piled with trophies.

‘Haven’t you got enough, dear?’ said Nannie, as Fuchsia entered late one evening and deposited a moss-covered boulder on her bed. Tiny fronds of fern emerged here and there from the moss, and white flowers the size of gnats.

Fuchsia had not heard Nannie’s question, so the little old creature advanced to the side of the bed.

‘You’ve got enough now, haven’t you, my caution? Oh, yes, yes, I think so. Quite enough for your room now, dear. How dirty you are, my … Oh, my poor heart, how unappetising you are.’

Fuchsia tossed back her dripping hair from her eyes and neck, so that it hung in a heavy clump like black seaweed over the collar of her cape. Then after undoing a button at her throat with a desperate struggle, and letting the corded velvet fall to her feet, she pushed it under her bed with her foot. Then she seemed to see Mrs Slagg for the first time. Bending forward she kissed her savagely on the forehead and the rain dripped from her on to the nurse’s clothes.

‘Oh, you dirty thoughtless thing! you naughty nuisance. Oh, my poor heart, how could you?’ said Mrs Slagg, suddenly losing her temper and stamping her foot. ‘All over my black satin, you dirty thing. You nasty wet thing. Oh, my poor dress! Why can’t you stay in when the weather is muddy and blowy? You always were unkind to me! Always, always.’

‘That’s not true,’ said Fuchsia, clenching her hands. The poor old nurse began to cry.

‘Well, is it, is it?’ said Fuchsia.

‘I don’t know. I don’t know at all,’ said Nannie. ‘Everyone’s unkind to me; how should I know?’

‘Then I’m going away’, said Fuchsia.