Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
He saw, out of the corner of his eye, which like the rest of his face was practically smothered in soap-suds, the dim shape of Lady Fuchsia looming a little above him on the bed. It was up to him. He didn’t know much about clowns, but he knew that they did irrational things very seriously, and it had occurred to him that Fuchsia would enjoy them. Steerpike had an unusual gift. It was to understand a subject without appreciating it. He was almost entirely cerebral in his approach. But this could not easily be perceived; so shrewdly, so surely he seemed to enter into the heart of whatever he wished, in his words or his deeds, to mimic.
From the ludicrous listening posture he straightened himself slowly, and with his toes turned outwards extravagantly he ran a few steps towards a corner of Fuchsia’s room, and then stopped to listen again, his hand at his ear. Continuing his run he reached the corner and picked up, after several efforts at getting his hand to reach as far down as the floor, a piece of green cloth which he hobbled back with, his feet as before turned out so far as to produce between them a continuous line.
Fuchsia, in a transport, watched him, the knuckles of her right hand in her mouth, as he began a thorough examination of the bed rail immediately below her. Every now and then he would find something very wrong with the iron surface of the rail and would rub it vigorously with his rag, stand back from it for a longer view, with his head on one side, the dark of the soapless mouth drooping at each corner in anguish, and then polish the spot again, breathing upon it and rubbing it with an inhuman concentration of purpose. All the time he was thinking. ‘What a fool I am, but it will work.’ He could not sink himself. He was not the artist. He was the exact imitation of one.
All at once he removed with his forefinger a plump sud of soap from the centre of his forehead, leaving a rough, dark circle of skin where it had been, and tapped his frothy finger along the footrail three times at equal intervals, leaving about a third of the soap behind at each tap. Waddling up and down at the end of the bed, he examined each of these blobs in turn and, as though trying to decide which was the most imposing specimen, removed one after the other until, with only the central sud remaining, he came to a halt before it, and then, kicking away one of his feet in an extraordinarily nimble way, he landed himself flat on his face in a posture of obedience.