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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

‘And now I’m here where you hate me being, I’m here because there was nowhere else to go. I have seen so much. I have been out all night, I have escaped’ (he whispered the word dramatically) ‘and, best of all, I found the field in the clouds, the field of stones.’

He stopped for breath and lowered his hand from its posturing and peered at Fuchsia.

She was leaning against the table, her hands gripping its sides. It may have been the darkness that deceived him, but to his immense satisfaction he imagined she was staring through him.

Realizing that if this were so, and his words were beginning to work upon her imagination, he must proceed without a pause sweeping her thoughts along, allowing her only to think of what he was saying. He was clever enough to know what would appeal to her. Her crimson dress was enough for him to go on. She was romantic. She was a simpleton; a dreaming girl of fifteen years.

‘Lady Fuchsia,’ he said, and clenched his hand at his forehead, ‘I come for sanctuary. I am a rebel. I am at your service as a dreamer and a man of action. I have climbed for hours, and am hungry and thirsty. I stood on the field of stones and longed to fly into the clouds, but I could only feel the pain in my feet.’

‘Go away,’ said Fuchsia in a distant voice. ‘Go away from me.’ But Steerpike was not to be stopped, for he noticed that her violence had died and he was tenacious as a ferret.

‘Where can I go to?’ he said. ‘I would go this instant if I knew where to escape to? I have already been lost for hours in long corridors. Give me first some water so that I can wash this horrible slime from my face, and give me a little time to rest and then I will go, far away, and I will never come again, but will live alone in the stone sky-field where the herons build.’

Fuchsia’s voice was so vague and distant that it appeared to Steerpike that she had not been listening, but she said slowly: ‘Where is it? Who are you?’

Steerpike answered immediately.

‘My name is Steerpike,’ he said, leaning back against the window in the darkness, ‘but I cannot tell you now where the field of stones lies all cold in the clouds. No, I couldn’t tell you that – not yet.’

‘Who are you?’ said Fuchsia again. ‘Who are you in my room?’

‘I have told you,’ he said. ‘I am Steerpike. I have climbed to your lovely room. I like your pictures on the walls and your book and your horrible root.’