Back Gormenghast
Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

The air was bristling, for they had seen one another. Without her knowing it, the initial advantage lay with Juno, for Cheeta’s ferocity was almost equally divided between her and Titus.

The whole travesty had been planned as something to humiliate Titus. She had been to all lengths to insure its success; yet now it was over, and she stood among the wreckage, her little body vibrating like a bow-string.

‘Dismantle them!’ she screamed, for she saw out-topping the crowd, the battered masks, the hanks of hair; the Countess breaking in half, dusty and ludicrous; the sawdust; and the paint.

ONE HUNDRED AND FOURTEEN

‘Take those things down!’ she screamed, standing on tip-toe, for she saw in the tail of her eye, a great wavering, semi-human bulk, that was even now as she watched it, breaking in half and turning as it collapsed, to show the long filthy hanks of hair, the mask with its dreadful pallor, lit by the flooding of the dawn, sink to the floor. Down came the others, that had so recently been the symbols of mockery and scorn. Some with their grease-paint dripping; the dusty remnants of blotched sawdust.

All at once a woman screamed, and as though this were a signal for release, a general cacophony broke out and a number of ladies grew hysterical, striking out at their husbands or their lovers.

Muzzlehatch, whose peroration had been interrupted, merely cocked an eye at the crowd, and then stared fixedly and for a long time at what was still dangling at the end of his arm. After a while he remembered what it was.

‘I was going to kill you,’ said Muzzlehatch, ‘in the way you kill a rabbit. A sharp stroke at the nape of the neck, delivered with the edge of the hand. I was even going to throttle you, but that seemed too good for you. Then there was the idea of drowning you in a bucket, but all these things were too good for you. You would not appreciate them. But I’ll have to do something about you, won’t I? Do you think your daughter wants you? Has she a birthday coming? No? Then I’ll take a chance, my little cockroach. Only look at her. Dishevelled and wicked. Look how she pines for him. Why, you’d take his nut for an onion. I must be rude after all, my sweet dangler, for you killed my animals. Ah, how they slid in their hey-day. How they meandered; how they skidded or leapt in their abandon. Lord, how they cocked their heads. Dear heaven! How they cocked their heads!

‘Once there were islands all a-sprout with palms: and coral reefs and sands as white as milk. What is there now but a vast shambles of the heart? Filth, squalor, and a world of little men.’