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Chapters (51)
  1. Cover
  2. Book Title Page
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Winter
  7. POSTMATE
  8. SUSBOY
  9. SHAWN
  10. HORSE RIDER
  11. SIDE BAE
  12. BROKE BOI
  13. Spring
  14. EDITOR BAE
  15. SEYMOUR
  16. ICED-OUT HOMIE
  17. EX BAE
  18. ROOMIE BRO
  19. LIL B
  20. Summer
  21. MRA
  22. OUTDOOR DUDE
  23. HETERO BRO
  24. LIL BRO
  25. LIL SIS
  26. BIG LEAF
  27. Fall
  28. X
  29. THE OLE MAN
  30. SCHOOLBOY
  31. RYDEN
  32. BALLBOY
  33. THE MA
  34. Winter
  35. WEE LAD
  36. NURSE DADDY
  37. GAL PAL
  38. BOSS MAN
  39. NEW LEAF
  40. CANE GUY
  41. Spring
  42. PRODUCE BRO
  43. AUTONOMOUS BAE
  44. FLOWER BOY
  45. Summer
  46. OLD HEAD
  47. Philly in the Time of FUCCBOI
  48. Works Cited
  49. Discover More
  50. Acknowledgments
  51. About the Author

More body-groups the lower, the closer to the water you get. Coming your way. Something just ended. This route, ‘to the pier and back.’ Same one mama would take D on, growing up, except to a different pier. Higher up the coast. But same ocean. One slightly ahead of the other, D humming along with sunglasses, a big-ass sun hat on, head up-tilted slightly, basking in the breeze. Dog-out-the-rolled-down-car-window-like. Going Move, in her robot-voice deadpan, to stragglers in her way. Her chair’s engine like a Tesla’s how quiet. Just joystick-whipping. All sorts of bags and drinks and extra clothes strapped to her chair’s back, real compact like. Mama carrying her curled-up body into bed before plugging in her chair each night to gas it up. D’s body the same as any body just more curled up. Like a bud blooming, bursting, only stalled out mid-burst. Her speech, too. Uttering, starting to, before stalling out mid-utterance. So instead of trying to say more than she could, just thinking about a single thing to say, for longer than others, then saying that one thing. An observation. A jab. A cutting shot at someone who needed to hear it. No. One. Cawes—cutting off lil sis self-importantly lamenting middle school gossip gripes. No YOU. Awe. Cwazy—shutting down the ole man righteously venting about politicians, America, the Media. Then cackling gleeful like hik hik hik. Like suffocating but enjoying it. Before choking, forgetting to chew, that she’d been chewing. Then gagging, eyes watering, mama stepping in like Oh oh oh, oh-kay, gotta chew, back-patting and mouth-wiping with her bib-napkin. Each one of D’s words taking its own amount of exertion to release, and so only shooting em off if necessary. If urgent. Not wasting others’ bandwidth / her own breath saying anything other than exactly what needed to be said.

But there was a second-tier level to this, this remaining silent.

A meta level.

Why it took Knausgaard so long to get to addressing what he knew he had to, was inevitably gonna, but was nonetheless apprehensive to.

He was apprehensive to bc society dictated that, about these considerations—finding Mein Kampf (1933) in his late ole man’s closet, considering how there were aspects of Hitler’s bio he felt contained secrets to understanding himself—he was to remain silent.

There were things about which one mustn’t speak.

About which it wasn’t right to.

Shameful thoughts.

Things deemed—and understandably / not wrongly so—taboo.

Taboo for understandable / not wrong reasons.

But that didn’t mean people didn’t have these thoughts.

Didn’t mean repression was the way.

Repression and shame were what created monsters.

School shooters.

Suicides.

Were what, lowkey, created Hitler.

Now that there. A sizzling take, I know.

But writing.

Writing was one way to even start tackling repression and shame of taboo thoughts/impulses and unspeakable traumas.

Writing wasn’t speaking.

Wasn’t ‘saying.’

Writing was a silent thing.

Was ‘remaining silent.’