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Chapters (51)
  1. Cover
  2. Book Title Page
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Winter
  7. POSTMATE
  8. SUSBOY
  9. SHAWN
  10. HORSE RIDER
  11. SIDE BAE
  12. BROKE BOI
  13. Spring
  14. EDITOR BAE
  15. SEYMOUR
  16. ICED-OUT HOMIE
  17. EX BAE
  18. ROOMIE BRO
  19. LIL B
  20. Summer
  21. MRA
  22. OUTDOOR DUDE
  23. HETERO BRO
  24. LIL BRO
  25. LIL SIS
  26. BIG LEAF
  27. Fall
  28. X
  29. THE OLE MAN
  30. SCHOOLBOY
  31. RYDEN
  32. BALLBOY
  33. THE MA
  34. Winter
  35. WEE LAD
  36. NURSE DADDY
  37. GAL PAL
  38. BOSS MAN
  39. NEW LEAF
  40. CANE GUY
  41. Spring
  42. PRODUCE BRO
  43. AUTONOMOUS BAE
  44. FLOWER BOY
  45. Summer
  46. OLD HEAD
  47. Philly in the Time of FUCCBOI
  48. Works Cited
  49. Discover More
  50. Acknowledgments
  51. About the Author

Like Aw, look at those mountains there, how pretty are those mountains, bummer we don’t have more adjectives to describe em, innit. ‘Pretty’ don’t quite do em justice.

But it wasn’t about that.

Or: it wasn’t only about that.

Or: that wasn’t the part about it that was interesting.

Tangibly considering how gnarly WWI musta been, with the level of artillery they were dealing with. How things were still largely ground-level despite the introduction of new, industrialized weaponry. How that musta made for the biggest shitshow.

Homies getting merked, left and right.

Limbs offed, bodies busted open, your homie decapitated right before your eyes.

And then, for those who returned, no one who hadn’t experienced it understanding.

How could they.

They lacked the experience to even start considering how.

And those who returned lacking the words to make them.

What were words in the face of that.

That which could not be expressed in language was physical trauma.

Was that which dealt with the opposite of language—that which dealt with the body.

With the confrontation of the utter destruction of bodies.

Of their fragility.

Their tenuousness.

It was ‘about deep, personal traumas that one must remain silent.’

This not a theoretical claim, but a pragmatically, physically felt assertion.

There was no use in trying to make others understand; that which concerned the body was what completely, necessarily, belied words.

We turned left where California ended, at the ocean.

Pier-ward.

Along the gravel rather than concrete path, that snaked left, right, left again.

That ess-ed.

Through lawn, palm trees. The ocean on our right, way down there, other side of the PCH, the beach; restaurants in between.

Past the Veterans Memorial—five rectangular, upright, concrete slabs, in a row—where Wilshire intersected Ocean—