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Chapters (21)
  1. Cover
  2. About the Book
  3. About the Author
  4. Recommended Books by Margaret Atwood
  5. We Are Double-Plus Unfree
  6. From The Handmaid’s Tale
  7. One
  8. Two
  9. Three
  10. Four
  11. Five
  12. Six
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. Eleven
  18. Twelve
  19. From Hag-Seed
  20. Acknowledgements
  21. Still searching for Freedom?

What I feel towards them is blankness. What I feel is that I must not feel. What I feel is partly relief, because none of these men is Luke. Luke wasn’t a doctor. Isn’t.

I LOOK AT the one red smile. The red of the smile is the same as the red of the tulips in Serena Joy’s garden, towards the base of the flowers where they are beginning to heal. The red is the same but there is no connection. The tulips are not tulips of blood, the red smiles are not flowers, neither thing makes a comment on the other. The tulips is not a reason for disbelief in the hanged man, or vice versa. Each thing is valid and really there. It is through a field of such valid objects that I must pick my way, every day and in every way. I put a lot of effort into making such distinctions. I need to make them. I need to be very clear, in my own mind.

I FEEL A tremor in the woman beside me. Is she crying? In what way could it make her look good? I can’t afford to know. My own hands are clenched, I note, tight around the handle of my basket. I won’t give anything away.

Ordinary, said Aunt Lydia, is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary.

Three

THE NIGHT IS mine, my own time, to do with as I will, as long as I am quiet. As long as I don’t move. As long as I lie still. The difference between lie and lay. Lay is always passive. Even men used to say, I’d like to get laid. Though sometimes they said, I’d like to lay her. All this is pure speculation. I don’t really know what men used to say. I had only their words for it.

I lie, then, inside the room, under the plaster eye in the ceiling, behind the white curtains, between the sheets, neatly as they, and step sideways out of my own time. Out of time. Though this is time, nor am I out of it.

But the night is my time out. Where should I go?

SOMEWHERE GOOD.

Moira, sitting on the edge of my bed, legs crossed, ankle on knee, in her purple overalls, one dangly earring, the gold fingernail she wore to be eccentric, a cigarette between her stubby yellow-ended fingers. Let’s go for a beer.

You’re getting ashes in my bed, I said.

If you’d make it you wouldn’t have this problem, said Moira.

In half an hour, I said. I had a paper due the next day. What was it? Psychology, English, Economics. We studied things like that, then. On the floor of the room there were books, open face down, this way and that, extravagantly.