Chapters (45)
- Cover
- Dedication
- Part 1
- Living It Up
- The Curve
- The Senses
- Holding a Freshwater Fish in a Pail above the Sea
- The Watercolor Eulogy
- Hi, Melissa
- Poem to My Litter
- Dawn of Man
- Black Bulls
- Part 2
- For Crow
- To Randal, Crow-Stealer, Lord of the Greenhouse
- Sky-Sex Dreams of Randal
- Stalking My Ex-Girlfriend in a Pasture
- Mommy Harangues Poor Randal
- Lyric Complicity for One
- Part 3
- Poem About My Wife Being Perfect and Me Being Afraid
- When I Criticize You, I’m Just Trying to Criticize the Universe
- Poem in Which My Shrink Is a Little Boy
- Radiation in New Jersey, Convalescence in New York
- Poem Set in the Day and in the Night
- Poem to My Dog, Monday, on Night I Accidentally Ate Meat
- Troy
- Heaven Is Us Being a Flower Together
- Afternoon
- Part 4
- Second Dream
- Plush Bunny
- Crow Says Goodbye
- Appeal to My First Love
- The Big Loser
- The Vacuum Planet of the Pee Pee Priestess
- The Blimp
- The End
- Touching the Floor
- Zyprexa, the Snow Pills
- Snow Angels
- The Hanging Gardens
- Universe Where We Weren’t Artists
- Acknowledgments
- About the Author
and it blasts the man so that his whole shadow
scuttles beneath his belly.
The shadow grows dense
and the man sweats himself thin.
The man becomes a web
and his shadow becomes a spider.
It’s not that his life passes to the shadow—
but a tipping happens, as in an hourglass,
and suddenly there’s a new order
to the life he never knew was shared.
That night a cricket kills himself in the man.
It’s unbearable, his silk body thrilled through
with the screams. All the man is: a speaker—
and not loud enough to communicate
the fear to God.
Enough, however, to bring the spider.
Who brings a kind of relief.
Is it a sin to take the moon? On a night like this?
To bathe the body in soapy light, sipping
gray moisture like beads on a necklace?
But what night isn’t like this?
The monster is quiet on his long white limbs—
you only notice what he mops up.
And while there’s no such thing as pure silence,
memory breaks apart
and that’s close enough.
Close enough for sleep:
A sweet face
rips in half and
you pass through it
like a curtain.
On the other side, you’re the body again,
and the shadow is again shadow.
You can enjoy anything—you don’t remember
how clumsy the old hands were, how picky the tongue.
When you smile, every tooth is a perfect O,
when you write, every letter is a perfect O,
when you weep, sorrow comes clean out.
Hello again, you say. Hello again.
Poem to My Dog, Monday, on Night I Accidentally Ate Meat
POEM TO MY DOG, MONDAY, ON NIGHT I ACCIDENTALLY ATE MEAT
The lights went out on Monday
lying on a green rug—
wanting to make noise, only—
a visitation left
in his small white body.
The symbol is outrageous: like a hungry man
in your soul slamming down jam jars.
Thank God for the past tense, and its order,
and that the dog died before it was symbolic.
Monday, the Hunt left your bed.
It found a white bulb
in your body to sleep in.
Monday, it’s leaving me too.
Why does life love flowers most
when they are still bulbs?
—the plant and her roots
all stalks, stalking themselves in a circle
in the dark?
Monday, with your millions of soft horns,
I will slip behind your poodle eyes,
loading myself like a cartridge of light.
I will live in your small ecstatic brain
and take your life,
and you can take mine,
and we won’t give our lives to cancer,
but to each other.
And thank God for the future,
where we levitate,
or maybe Oblivion curls down our ears
into wings, or figs that He eats.
Troy
TROY
Tooth and tooth
Tooth and tooth
Baboon
There are tents where the sand
is made of lice
under the light of the moon.
Tooth and moon and tooth