Back Fast Lane Save as PDF
Chapters (42)
  1. Fast Lane
  2. Table of Contents
  3. Dedication
  4. Encouragement
  5. Acknowledgments
  6. The Story
  7. THE 80s
  8. Nicky and Ricky
  9. Tommy Mancosa
  10. Lyla
  11. The Roadmasters
  12. Chicago
  13. The Cabin
  14. The Reunion
  15. Josh and Bobby
  16. Christmas
  17. DuShawn
  18. THE 90s
  19. The Blur
  20. Young and Beautiful
  21. The Tour
  22. Trelane
  23. The Fast Lane
  24. Bobby McGee
  25. Seattle
  26. Portland
  27. Los Angeles
  28. Aftermath
  29. THE AUGHTS
  30. The Bar
  31. Charity Gig
  32. The Boys
  33. China
  34. Jesse
  35. The CD
  36. THEN
  37. The Interim
  38. NOW
  39. The Family
  40. About the Author
  41. Books by Kristen Ashley
  42. Connect with Kristen Ashley

I let out a huge breath saying, “Go have breakfast with the band.”

His face got soft.

“Kiss me before I go.”

Lyla:

I kissed him before he went.

I’d fallen in love with their music by then.

Obviously, after Audie and Lynie Live On.

[Smiles sadly]

But I think it was more.

I was getting older, maturing.

Preacher matured when he was nine years old.

It takes maturity to write the songs he wrote.

And it takes maturity to understand the stories these people tell.

You have a pen and paper. [Nods head to interviewer] I know you’re taping this but to make it easy, write these titles down and go to your hotel and listen to them tonight. You’re into music, so you’ve undoubtedly heard them before. But this time, make a note of what they make you feel, if anything at all. What you think they mean.

Don’t look it up. Don’t read what someone else thinks they mean. What they make someone else feel.

Only you.

Then keep those notes, and when you run across those notes again, listen to those songs before you read what you wrote and see what you feel then versus what you felt when you wrote those notes.

Ready?

[Waits until she gets a nod]

“American Girl,” by Petty. “Heroes,” by Bowie. “Me and Bobby McGee,” Joplin, but Kristofferson wrote it, and listen to all the versions, including Gordon Lightfoot’s. “Because the Night,” Springsteen and Smith. “Fire and Rain,” by Taylor. “Bloody Mother Fucking Asshole” by Wainwright. “Gold Dust Woman. “Into the Mystic.” “Living in the City.” “Walk on the Wild Side” “What’s Goin’ On.”

I promise you, what you get out of those songs will not be what you got out of them after you have more life under your belt.

You will fall in love, and fall out of it, and back in, and get a broken heart.

You will lose people you love in slow ways that will feel like someone opened a tap in your heart to let the blood drip out and in fast ways that will set you spinning so you’re so dizzy, you don’t think the earth will ever rotate the same again.

And you’ll be right.

About both.

You will hear of, and witness injustices.

You will be betrayed.

You will do things that will make people feel ways you never wanted them to feel, but you were so stuck in your life or your head, you didn’t pay attention to what you were doing.

You will say things you wish you could take back.

You will hear things you wish you never heard.

See things you wish you could unsee.

[Draws in breath]

Do things you wish you could undo.

They did covers. They always did covers. They were musicians [grins] and musicians like music.