Wurlitzer’s light cast a multicolored glow around the common room, caught and refracted by the many bits of glass that made up Mary’s coffin, which sat just a few yards in front of the jukebox. It almost seemed as if her coffin was a part of Wurlitzer now: an altar before the figure of a god. Jix couldn’t help but wonder if Wurlitzer wanted it this way—that even the attention given to Mary somehow reflected back on the mystical machine.

Avalon dropped the coin in and waited for it to clink its way down to the coin box and then he asked his question. “Mighty Wurlitzer, what do we do about this chocolate monster?” He pressed a random button on the machine’s console, and Wurlitzer came to life. It pulled a record from its apparently infinite spinning rack, dropped it on the turntable, and with clicks and pops the song began to play.

“Oh, don’t it hurt, deeeeep inside . . .” sang a man in falsetto.

“I don’t know this one,” said Avalon.

“What does it mean?” someone asked.

“Shh! Let me listen.” Avalon put his ear to the glass as if that might help his hearing, then he squinted through the next few lines as if squinting might make him smarter. “This is a difficult one.”

But then Jill said, “Wait for the chorus. . . .” because she did know this song. In fact, it had been one of her grandfather’s favorites.

The music built to the chorus, and Frankie Valli sang, “Silence is golden . . .” and there was a collective gasp from the room.

“Wurlitzer has spoken,” Jill muttered, clearly a little freaked by it.

“Quiet!” yelled Avalon, then realized his error, and whispered, “Quiet . . .” Avalon went to the back of the machine and turned the volume down as low as it would go. In a couple of minutes, the song ended and when it was done, silence fell and it remained. No one spoke, no one moved. From the Alamo gift shop above them, they heard a voice.

“I know you are here somewhere!” someone yelled. Someone with a Russian accent. “And I won’t rest until I find you!”

Jill stood up.

“No!” whispered Jix.

“I’m done with this place,” said Jill. “I want out. Even Milos and his morons are better than this.” The others threw angry gazes at her, and Dionne brandished her knife—but silence was not golden for Jill—not when her fate was being decided by a glorified music box.

Jix grabbed her, getting face to face. Then looking into her eyes, he said, “It’s time for you to choose, then. Choose that life . . . or choose me.”

Jill looked at him with bitter fury.

“You must make your decision now,” he demanded.

She glared at him a moment more, then she pulled him close, kissed him hard, then slapped him even harder.

“I really, really don’t like you,” she said.