“Did you think that whoever put the church here would attack the rest of us and set you free?”

Allie didn’t answer him . . . because that’s exactly what she thought.

“I am sorry,” said Milos, “but you are far too useful as a scarecrow for me to put you anywhere else.” Then he turned to the others. “I want everyone who sees us coming to know that we are not to be trifled with. I want everyone seeing this train to fear it—to fear us. I want them terrified.”

“Them?” asked Speedo. “Them, who?”

“It took fifty of us just to knock over that church,” said Milos. “How many do you think it took to move it all the way around the lake?”

Speedo said nothing, clearly not wanting to consider the answer.

Allie struggled against Moose and Squirrel but it was no use. “Do you think that tying me up like that will scare them? Whoever they are, they’re not scared of us, and they don’t want us trespassing.”

Milos responded by turning to the crowd and announcing in his loudest, most commanding voice: “I hereby claim this territory in the name of Mary Hightower!” and the crowd cheered even more loudly than before. “Now they are the ones trespassing,” Milos told Allie. “Whoever they are.”

With Allie tied back onto the grille upside down, the train continued forward . . . while beside it, the church lost its battle with gravity and, like a foundering ship, sank into the quicksand of the living world.

PART TWO
The Wraith and the Warriors

High Altitude Musical Interlude #1 with Johnnie and Charlie

There is no wind in Everlost. At least none that occurs naturally. No nor’easters heralding winter, no gentle summer zephyrs. Even Everlost trees that rustle in the wind are only going through the motions, moving with the memory of a breeze long gone.

That is not to say that Everlost has no atmosphere; it does. The air of Everlost is a direct result of the living, and is a blend of many things. The first breath of a baby and the last breath of a life well-lived. The charged air of anticipation that fills a stadium before the start of a game, and the electrified air of excitement when a band takes the concert stage—these all cross into Everlost. Every passage of gas that someone laughed at, every sigh offered up to a glorious sunset are here . . . but so are the screams of victims and the sobs of those who mourn.

Not every breath, but every breath taken and expelled with purpose, be it good or bad, are not forgotten by the universe. These things all blend and make up the air that Afterlights occasionally choose to breathe; air rich with emotions and with memories not entirely lost.