Chapters (70)
- Acknowledgments
- Prologue: Allie the Outcast’s FAQs
- PART ONEConfernal Jamnation
- CHAPTER 1Jix
- CHAPTER 2Figureheads
- CHAPTER 3Doomed Worthy
- CHAPTER 4Green Goddess
- CHAPTER 5Allie in Distress
- CHAPTER 6Cat on a Cold Tin Roof
- CHAPTER 7What Allie Saw
- PART TWOThe Wraith and the Warriors
- High Altitude Musical Interlude #1 with Johnnie and Charlie
- CHAPTER 8Half-lost
- CHAPTER 9Assaulting Gravity
- CHAPTER 10Wraith, Wraith, Go Away
- CHAPTER 11Chocolate Reign
- CHAPTER 12Universal Justice
- CHAPTER 13End of the Line
- CHAPTER 14The Neon Nightmares
- CHAPTER 15Memory Makes the Man
- CHAPTER 16Wurlitzer
- CHAPTER 17And Then Along Came Mary . . .
- CHAPTER 18You Put Your Whole Self In . . .
- PART THREEThe Gates of Grief
- High Altitude Musical Interlude #2 with Johnnie and Charlie
- CHAPTER 19Roadkill
- CHAPTER 20Home Body
- CHAPTER 21The Benson Burner
- CHAPTER 22A Balance of Power
- CHAPTER 23Uptown Boy
- CHAPTER 24Face the Music
- CHAPTER 25The Souler Eclipse
- CHAPTER 26The Angels of Life
- CHAPTER 27Last National Life
- CHAPTER 28The Tears of Eternity
- PART FOURMary Rising
- High Altitude Musical Interlude #3 with Johnnie and Charlie
- CHAPTER 29The Great Awakening
- CHAPTER 30Something About a Chicken
- CHAPTER 31The Road to Corpus Christi
- CHAPTER 32The Hand of Judgment
- CHAPTER 33Creature Discomforts
- CHAPTER 34Separate Ways
- CHAPTER 35Dark Cumulus
- PART FIVEStealing Life
- Philosophical Interlude with Arnie, the Grand Inquisitor
- CHAPTER 36Holding Patterns
- CHAPTER 37Skinless
- CHAPTER 38Blame It on Mavis
- CHAPTER 39Ghost Town
- CHAPTER 40Pittsburgh Stealer
- CHAPTER 41Punishment and Crime
- CHAPTER 42Sense and Sensibility and Skinjackers
- PART SIXRuin Nation
- Historical Interlude with Angry Gods and Insufficient Sunscreen
- CHAPTER 43The City of Souls
- CHAPTER 44Zero Recall
- CHAPTER 45Mikey, the God
- PART SEVENJournada de Muerto
- E=MC2
- CHAPTER 46The Sum of All Tears
- CHAPTER 47Thunderbird Persuasion
- CHAPTER 48Suicide King
- CHAPTER 49The War of Souls
- CHAPTER 50Straight Up, with a Twist
- CHAPTER 51Westinghouse Blue
- PART EIGHTEverEnding
- Paradoxical Interlude with Physicists and Lobstermen
- CHAPTER 52World After Mary
- CHAPTER 52Portraits
Nick hefted the backpack on his shoulder, “Shouldn’t you be heading off to Memphis?” he said. “You’d better hit the road . . . Jack.” Then he chuckled at his own joke, and walked off.
And although he was just an ordinary Afterlight, Allie couldn’t help but notice as he strode down the street, that he wasn’t sinking into the living world at all.
CHAPTER 52
Portraits
Picture this:
A farm in west Texas. It’s night. Animals in the barnyard are on edge. Something has them spooked and the farmer doesn’t know why. He double-checks the pens, but loses concentration for a moment, then goes inside, never realizing that in that moment of disorientation, his hands, under someone else’s control, had unlocked the pen of his prize breeding sow.
In the pen, the sow awakes. Not the sow, but the girl within the sow, who is beginning to forget that she is a girl. She does not want to consider the misery that she has been put through these many, many weeks. The slop she has been served to eat, the stench of the pen, and the massive immobile weight of her own bloated, porcine body.
Then she hears the gate of her pen slowly creak open. She is hit by a new sharp smell, and adrenaline fills her, for the instinctive mind of the pig knows the smell means grave danger. She turns her head enough to see bright eyes looking at her, reflecting the distant porch light like yellow marbles.
A snow leopard.
The leopard’s white, spotted fur seems to glow in the waning gibbous moon. The cat is hungry, but it does not attack. Instead, it reaches with its paw, grabs the gate of the pen and pulls it closed until it latches, making sure it couldn’t get out if it tried. Only then does the leopard bare its fangs at the sow.
The sow doesn’t move. It couldn’t if it wanted to, so instead, it stares into the leopard’s eyes as the leopard slowly moves forward, opens its mouth wide, and digs its powerful fangs deep into the sow’s neck. . . .
A few minutes later, at the sound of a strange roar, the farmer grabs his shotgun and heads out toward the pigpens, where his worst fear is realized. A wild animal has gotten into the pen. The strangest animal he’s ever seen in these parts. His prize sow is dead, and somehow locked in the pen with its body is a huge white cat, furiously bouncing around the pen, unable to escape.
“Now I’ve seen everything,” he says.
. . . But in truth, he hasn’t seen everything. Because he doesn’t see the two invisible spirits embracing right beside him, then racing off into the Everlost night.
Picture this: