He would tell of the fears that kept him awake at night. “My dead ear can hear them sometimes—and some of them are up to no good. They’ll kill you soon as look at you.” And he talked about how his left eye could still see fingers on his left hand—and those fingers could actually touch all the things that no one else could see!

They gave him medication for a while, convincing Clarence that he was very, very sick—that his brain was damaged by the fire. The medication numbed his senses, and made it hard to get inside his own head—but none of that medicine made his visions go away. That’s how he knew the problem was not him, it was the rest of the world.

“I see things, and I don’t care if no one believes me!” he would yell in frustration. And, of course, no one did believe him. No one wanted to hear the ravings of a lunatic—much less the ravings of a burn-scarred lunatic. They just wanted him to go away. So the world forgot he was a hero, and instead labeled him a public nuisance.

For many years he wandered from city to city, state to state, looking for all the things he might see with his dead eye. He lived anywhere he didn’t get thrown out of, which meant he never lived anywhere for long. Mostly he lived out in the open, everywhere from city streets, to country fields, trying to make sense of his visions—hoping that one day it would all fit together and he’d know why he was cursed with this gift of vision.

Clarence was in Memphis the day the Union Avenue Bridge came crashing down.

With his right, living eye, he saw the explosions, and the collapsing bridge . . . but with his left eye he saw the ghost bridge now standing in its place, and the spirit train that rode across it, heading west.

Indeed, things were brewing in the half-dead world, and the only way to find out how bad the brew had become was to capture a spirit or two. If he could do that, maybe he could prove they existed. Maybe a special camera could photograph them. Anything to prove to the world that he was sane and they were blind.

He took up residence in an abandoned farmhouse that looked one storm short of surrender, a few miles west of the Mississippi. To Clarence’s dead eye, however, that farmhouse looked as fresh and fine as the day it was built. There he came up with a plan.

He built himself a trap made of brass bed frames that no longer existed, from homes that were washed away in a flood. To anyone watching, he knew he must have looked mad—dragging invisible bed frames, with invisible fingers, but how he appeared to the world was of no consequence now.