Back Embers of War
Chapters (85)
  1. Cover
  2. Also by Gareth L. Powell and available from Titan Books
  3. Title Page
  4. Copyright
  5. Dedication
  6. Prologue: Pelapatarn
  7. Part One: Three Years Later
  8. One: Sal Konstanz
  9. Two: Ona Sudak
  10. Three: Ashton Childe
  11. Four: Sal Konstanz
  12. Five: Trouble Dog
  13. Six: Sal Konstanz
  14. Seven: Ashton Childe
  15. Eight: Sal Konstanz
  16. Nine: Sal Konstanz
  17. Ten: Trouble Dog
  18. Eleven: Ona Sudak
  19. Twelve: Sal Konstanz
  20. Thirteen: Trouble Dog
  21. Fourteen: Nod
  22. Fifteen: Sal Konstanz
  23. Sixteen: Ona Sudak
  24. Seventeen: Sal Konstanz
  25. Eighteen: Ashton Childe
  26. Nineteen: Ona Sudak
  27. Twenty: Sal Konstanz
  28. Twenty-One: Ashton Childe
  29. Twenty-Two: Trouble Dog
  30. Twenty-Three: Ona Sudak
  31. Twenty-Four: Sal Konstanz
  32. Twenty-Five: Trouble Dog
  33. Twenty-Six: Ashton Childe
  34. Twenty-Seven: Trouble Dog
  35. Twenty-Eight: Nod
  36. Twenty-Nine: Ona Sudak
  37. Thirty: Sal Konstanz
  38. Thirty-One: Nod
  39. Thirty-Two: Ona Sudak
  40. Thirty-Three: Sal Konstanz
  41. Thirty-Four: Nod
  42. Thirty-Five: Ashton Childe
  43. Thirty-Six: Sal Konstanz
  44. Thirty-Seven: Ona Sudak
  45. Thirty-Eight: Ashton Childe
  46. Thirty-Nine: Ona Sudak
  47. Forty: Trouble Dog
  48. Forty-One: Sal Konstanz
  49. Part Two: The Marble Armada
  50. Forty-Two: Ona Sudak
  51. Forty-Three: Sal Konstanz
  52. Forty-Four: Nod
  53. Forty-Five: Trouble Dog
  54. Forty-Six: Sal Konstanz
  55. Forty-Seven: Ashton Childe
  56. Forty-Eight: Trouble Dog
  57. Forty-Nine: Sal Konstanz
  58. Fifty: Nod
  59. Fifty-One: Ashton Childe
  60. Fifty-Two: Ona Sudak
  61. Fifty-Three: Trouble Dog
  62. Fifty-Four: Ona Sudak
  63. Fifty-Five: Sal Konstanz
  64. Fifty-Six: Ashton Childe
  65. Fifty-Seven: Ona Sudak
  66. Fifty-Eight: Trouble Dog
  67. Fifty-Nine: Sal Konstanz
  68. Sixty: Ashton Childe
  69. Sixty-One: Ona Sudak
  70. Sixty-Two: Sal Konstanz
  71. Sixty-Three: Ona Sudak
  72. Sixty-Four: Nod
  73. Sixty-Five: Trouble Dog
  74. Sixty-Six: Ashton Childe
  75. Sixty-Seven: Sal Konstanz
  76. Sixty-Eight: Trouble Dog
  77. Sixty-Nine: Sal Konstanz
  78. Seventy: Sal Konstanz
  79. Seventy-One: Ashton Childe
  80. Seventy-Two: Trouble Dog
  81. Seventy-Three: The Marble Armada
  82. Seventy-Four: Nod
  83. Acknowledgements
  84. About the Author
  85. Also Available from Titan Books

The storm clouds overhead boiled away like kettle steam, leaving a bright cerulean blue punctuated only by the dazzling gleam of a clean white sun. At the touch of the sun’s light, the land around us burst into sudden and irrepressible life. Flowers bloomed one after another like strings of tiny explosions; fresh green shoots curled out from the remains of the brittle, dry bracken; and small birds wheeled overhead in an ecstatic aerial display.

Fenrir released me and stepped back, staring wildly about. “What are you doing?”

Freed from her choking grip, I fell to my knees, half curled around the agony in my chest. “Me?” I sucked in a painful breath. “I’m not doing anything.”

Her lip curled and she shook her sword at me. “Then what is this? What’s happening?”

Overhead, the sun revolved on its vertical axis, to reveal on its other side a face carved out of light.

My face.

I looked Fenrir in the eye and raised a shaking arm to the sky. “Why don’t you ask her?”

Fifty-Four: Ona Sudak

FIFTY-FOUR

ONA SUDAK

I followed the corridor as it curved around to the left, and came upon my third corpse in as many minutes. Only this one wasn’t human; it wasn’t even close. In fact, I had to look twice to ascertain it was a single creature and not, as my first glance had suggested, a random assortment of body parts.

The creature had obviously been dead a long, long time. It had four multi-jointed legs covered in a kind of tough carapace, and at least a dozen dry and shrivelled tentacles emerging from the place where I would have expected its neck to be. I could see no head, but a cluster of dark slits between the tentacles’ roots seemed to house the desiccated remains of spherical, fleshy organs that might once have been its eyes. I could find no mouth, so assumed it must be underneath, on the creature’s belly. One of its tentacles gripped a twisted, multi-barrelled device that had to be a weapon of some kind. Another held a carved stone model of a creature much like itself. Whether this represented a deity or a loved one, I had no way of knowing. Yet I was tempted to reach down and pick it up, just to feel the heft of it in my palm.

Had this creature been seeking the centre of the maze or simply a means of escape?

I edged past, pressed up against the corridor’s wall, and my nose wrinkled at the faint, barely traceable residue of a leathery, fish-like odour, somewhat reminiscent of the pickled herring rollmops I remembered from childhood visits to the Oslo home of my Norwegian grandparents. How strange to feel such an unexpected and visceral connection to home in a place so austere and far removed as this!