Back Embers of War
Chapters (85)
  1. Cover
  2. Also by Gareth L. Powell and available from Titan Books
  3. Title Page
  4. Copyright
  5. Dedication
  6. Prologue: Pelapatarn
  7. Part One: Three Years Later
  8. One: Sal Konstanz
  9. Two: Ona Sudak
  10. Three: Ashton Childe
  11. Four: Sal Konstanz
  12. Five: Trouble Dog
  13. Six: Sal Konstanz
  14. Seven: Ashton Childe
  15. Eight: Sal Konstanz
  16. Nine: Sal Konstanz
  17. Ten: Trouble Dog
  18. Eleven: Ona Sudak
  19. Twelve: Sal Konstanz
  20. Thirteen: Trouble Dog
  21. Fourteen: Nod
  22. Fifteen: Sal Konstanz
  23. Sixteen: Ona Sudak
  24. Seventeen: Sal Konstanz
  25. Eighteen: Ashton Childe
  26. Nineteen: Ona Sudak
  27. Twenty: Sal Konstanz
  28. Twenty-One: Ashton Childe
  29. Twenty-Two: Trouble Dog
  30. Twenty-Three: Ona Sudak
  31. Twenty-Four: Sal Konstanz
  32. Twenty-Five: Trouble Dog
  33. Twenty-Six: Ashton Childe
  34. Twenty-Seven: Trouble Dog
  35. Twenty-Eight: Nod
  36. Twenty-Nine: Ona Sudak
  37. Thirty: Sal Konstanz
  38. Thirty-One: Nod
  39. Thirty-Two: Ona Sudak
  40. Thirty-Three: Sal Konstanz
  41. Thirty-Four: Nod
  42. Thirty-Five: Ashton Childe
  43. Thirty-Six: Sal Konstanz
  44. Thirty-Seven: Ona Sudak
  45. Thirty-Eight: Ashton Childe
  46. Thirty-Nine: Ona Sudak
  47. Forty: Trouble Dog
  48. Forty-One: Sal Konstanz
  49. Part Two: The Marble Armada
  50. Forty-Two: Ona Sudak
  51. Forty-Three: Sal Konstanz
  52. Forty-Four: Nod
  53. Forty-Five: Trouble Dog
  54. Forty-Six: Sal Konstanz
  55. Forty-Seven: Ashton Childe
  56. Forty-Eight: Trouble Dog
  57. Forty-Nine: Sal Konstanz
  58. Fifty: Nod
  59. Fifty-One: Ashton Childe
  60. Fifty-Two: Ona Sudak
  61. Fifty-Three: Trouble Dog
  62. Fifty-Four: Ona Sudak
  63. Fifty-Five: Sal Konstanz
  64. Fifty-Six: Ashton Childe
  65. Fifty-Seven: Ona Sudak
  66. Fifty-Eight: Trouble Dog
  67. Fifty-Nine: Sal Konstanz
  68. Sixty: Ashton Childe
  69. Sixty-One: Ona Sudak
  70. Sixty-Two: Sal Konstanz
  71. Sixty-Three: Ona Sudak
  72. Sixty-Four: Nod
  73. Sixty-Five: Trouble Dog
  74. Sixty-Six: Ashton Childe
  75. Sixty-Seven: Sal Konstanz
  76. Sixty-Eight: Trouble Dog
  77. Sixty-Nine: Sal Konstanz
  78. Seventy: Sal Konstanz
  79. Seventy-One: Ashton Childe
  80. Seventy-Two: Trouble Dog
  81. Seventy-Three: The Marble Armada
  82. Seventy-Four: Nod
  83. Acknowledgements
  84. About the Author
  85. Also Available from Titan Books

Once clear of the body, I hurried onwards on trembling legs, until the corridor straightened and entered a large space filled with a knot of corrugated pipes and tubes. Water dripped from leaky joints; steam hissed. Some of the pipes were copper-coloured and pencil-thin; others were made of tough black ceramics, and were as wide as subway tunnels. I couldn’t see the roof or the floor. A metal catwalk led me through the tangle. In places, I had to duck or even crawl.

At the far side of the tangle, I came to a door. Like the door to the flying elevator, this one seemed to be made of a thick transparent glass. Beyond lay an unlit space of indeterminate size. The bottom of the door had jammed a few centimetres from the floor. I knelt in front of it and tugged a hair from the back of my head. When I dropped it, it fell slowly until drawing level with the gap, at which point it jerked and swirled back towards me. Whatever was causing the breeze lay on the far side of this obstacle, and I hoped it was a stray air current, blowing down into these sterile tunnels from an opening on the surface.

I took hold of the base of the door and tried to heave it upward. Then I braced myself on the floor and tried to move it with my boot, but despite my best efforts, it remained resolutely in place. I realised that if I wanted to get past, I would have to lie on the floor and squeeze through the gap.

I flashed my torch under the door, but could only see an expanse of bare floor stretching away.

Reluctantly, I rolled onto my front and used my hands to propel me backwards until my feet had passed beneath the barrier. The lower edge of the door scraped my backside, and I was seized with a sudden, heart-thumping fear that it would capriciously unstick itself and fall shut, slicing me in two. I wriggled harder, dropping my shoulders and turning my head sideways until my cheek touched the smooth floor. Then I was through. I took a moment to compose myself, and then turned to survey the gloomy interior of the room I’d entered.

The walls here lacked the internal luminosity of the walls in the rest of the ziggurat. The residual light from the corridor threw my shadow in front of me. Hesitantly, I took a step forward, testing the floor with my boot before trusting it with my full weight. Then another.