Back Embers of War Save as PDF
Chapters (85)
  1. Cover
  2. Also by Gareth L. Powell and available from Titan Books
  3. Title Page
  4. Copyright
  5. Dedication
  6. Prologue: Pelapatarn
  7. Part One: Three Years Later
  8. One: Sal Konstanz
  9. Two: Ona Sudak
  10. Three: Ashton Childe
  11. Four: Sal Konstanz
  12. Five: Trouble Dog
  13. Six: Sal Konstanz
  14. Seven: Ashton Childe
  15. Eight: Sal Konstanz
  16. Nine: Sal Konstanz
  17. Ten: Trouble Dog
  18. Eleven: Ona Sudak
  19. Twelve: Sal Konstanz
  20. Thirteen: Trouble Dog
  21. Fourteen: Nod
  22. Fifteen: Sal Konstanz
  23. Sixteen: Ona Sudak
  24. Seventeen: Sal Konstanz
  25. Eighteen: Ashton Childe
  26. Nineteen: Ona Sudak
  27. Twenty: Sal Konstanz
  28. Twenty-One: Ashton Childe
  29. Twenty-Two: Trouble Dog
  30. Twenty-Three: Ona Sudak
  31. Twenty-Four: Sal Konstanz
  32. Twenty-Five: Trouble Dog
  33. Twenty-Six: Ashton Childe
  34. Twenty-Seven: Trouble Dog
  35. Twenty-Eight: Nod
  36. Twenty-Nine: Ona Sudak
  37. Thirty: Sal Konstanz
  38. Thirty-One: Nod
  39. Thirty-Two: Ona Sudak
  40. Thirty-Three: Sal Konstanz
  41. Thirty-Four: Nod
  42. Thirty-Five: Ashton Childe
  43. Thirty-Six: Sal Konstanz
  44. Thirty-Seven: Ona Sudak
  45. Thirty-Eight: Ashton Childe
  46. Thirty-Nine: Ona Sudak
  47. Forty: Trouble Dog
  48. Forty-One: Sal Konstanz
  49. Part Two: The Marble Armada
  50. Forty-Two: Ona Sudak
  51. Forty-Three: Sal Konstanz
  52. Forty-Four: Nod
  53. Forty-Five: Trouble Dog
  54. Forty-Six: Sal Konstanz
  55. Forty-Seven: Ashton Childe
  56. Forty-Eight: Trouble Dog
  57. Forty-Nine: Sal Konstanz
  58. Fifty: Nod
  59. Fifty-One: Ashton Childe
  60. Fifty-Two: Ona Sudak
  61. Fifty-Three: Trouble Dog
  62. Fifty-Four: Ona Sudak
  63. Fifty-Five: Sal Konstanz
  64. Fifty-Six: Ashton Childe
  65. Fifty-Seven: Ona Sudak
  66. Fifty-Eight: Trouble Dog
  67. Fifty-Nine: Sal Konstanz
  68. Sixty: Ashton Childe
  69. Sixty-One: Ona Sudak
  70. Sixty-Two: Sal Konstanz
  71. Sixty-Three: Ona Sudak
  72. Sixty-Four: Nod
  73. Sixty-Five: Trouble Dog
  74. Sixty-Six: Ashton Childe
  75. Sixty-Seven: Sal Konstanz
  76. Sixty-Eight: Trouble Dog
  77. Sixty-Nine: Sal Konstanz
  78. Seventy: Sal Konstanz
  79. Seventy-One: Ashton Childe
  80. Seventy-Two: Trouble Dog
  81. Seventy-Three: The Marble Armada
  82. Seventy-Four: Nod
  83. Acknowledgements
  84. About the Author
  85. Also Available from Titan Books

“Yes.” I put my own hand to the wall. The stone felt cold through my glove, and impossibly smooth to the touch. “But there’s more to it than that. Moonlight has its own quality, its own texture.” I struggled to find the words to convey the childhood magic of being out at night with the moon riding high and proud like a galleon in the sky. How I wished I could be back there now, standing at the door of that humble little cottage with the valley picked out before me in silver and shadow, and be adolescent and blameless again, unencumbered by the burdens of adulthood and able to look ahead with neither guilt nor trepidation. I opened my mouth to say something. Before I could speak, the first echoes reached us. Voices from above; the clatter of armour and weapons.

We looked at each other, eyes wide with alarm.

We had been found.

Thirty-Three: Sal Konstanz

THIRTY-THREE

SAL KONSTANZ

Preston stepped back.

“It’s fine, I think. At least, the skin’s not broken. You’re probably going to have some bruising.”

He wouldn’t meet my eye. I was sitting on the edge of one of the galley tables. I pulled my jumpsuit closed and zipped it up to the neck. “Thank you.”

I looked down at Ashton Childe’s comatose form. Nod had done a good job with the welding torch, and now fat blobs of solder held the man in a spread-eagled cruciform, with his closed eyes and slack mouth facing the strip lights on the galley’s ceiling. According to Preston, he’d taken enough methamphetamine to give a platoon insomnia, and it would be several hours before it could all be purged from his system.

“Call me when he wakes up.”

Alva Clay still had the wrench dangling from her fingers. “Why, where are you going?” she asked.

I pushed away from the table and stood up. “To talk to the boss.”

I could feel her gaze on my back as I left the galley. I walked around the circular corridor to the nearest elevator. When the doors opened, I stepped inside and let it whisk me “up” to the ship’s bridge, close to the centre of the vessel.

Lit only by the light of its display screens, the bridge felt like a secure cave at the heart of the ship. The room was armoured, could be sealed off from the rest of the ship, and had its own emergency air supply. Even if enemy fire penetrated the main hull, the command crew would still have some level of protection. They would be able to keep fighting, even as the rest of the ship was blown away around them; and, in defeat, they would be among the last of its crew to die.

Feeling stiff and battered after having first been shot in the arm and then thrown across a table, I carefully lowered myself into the command chair.