Chapters (45)
- Cover
- Title Page
- Dedication
- Contents
- Epigraph
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- About the Author
- Books By Lawrence Block
- Enter the World of Matthew Scudder
- Praise
- Copyright
- About the Publisher
He laughed. “Then the Europeans came and discovered African art. Some of those French painters got their inspiration from tribal masks. Now you’ve got a situation where there are carvers in Africa spending all their time making masks and statues for export to Europe and America. They follow the old forms because that’s what their customers want, but it’s a funny thing. Their work’s no good. It doesn’t have any feeling in it. It’s not real. You look at it and you take it in your hand, and you do the same with the real thing, and you can tell the difference right away. If you have any feeling at all for the stuff. Funny, isn’t it?”
“It’s interesting.”
“If I had any of the junk around I’d show you, but I don’t own any. I bought some when I was starting out. You have to make mistakes to develop a feel for it. But I got rid of that stuff, burned it in the fireplace there.” He smiled. “The very first piece I bought, I still have it. It’s hanging in the bedroom. A Dan mask. Poro Society. I didn’t know shit about African art but I saw it in an antique shop and I responded to the mask’s artistic integrity.” He stopped, shook his head. “Hell I did. What happened was I looked at that piece of smooth black wood and I was looking in a mirror. I saw myself, I saw my father, I was looking back through the damned ages. You know what I’m talking about?”
“I’m not sure.”
“Hell. Maybe I don’t know either.” He gave his head a shake. “What do you figure one of those old carvers’d make of this? He’d say, ‘Shit, what’s this crazy nigger want with all these old masks? Why’d he go and hang ’em all over the damn wall?’ That coffee’s ready. You take yours black, right?”
He said, “How’s a detective go about detecting, anyway? Where do you start?”
“By going around and talking to people. Unless Kim got killed coincidentally by a maniac, her death grew out of her life.” I tapped my notebook. “There’s a lot you don’t know about her life.”
“I guess.”
“I’ll talk to people and see what they can tell me. Maybe it’ll fit together and point somewhere. Maybe not.”
“My girls’ll know it’s cool to talk to you.”
“That’ll help.”
“Not that they necessarily know anything, but if they do.”
“Sometimes people know things without knowing they know them.”
“And sometimes they tell without knowing they told.”
“That’s true, too.”
He stood up, put his hands on his hips. “You know,” he said, “I didn’t figure to bring you here. I didn’t figure you needed to know about this house. And I brought you without you even asking.”