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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

“I like your cheek,” Chapman said. A little sadly, he added: “If I could turn back the clock, I wouldn’t mind being a young chancer all over again.”

Dave held his breath.

“I’ll audition you.”

“Thanks!”

“Come into the recording studio after Christmas.” He jerked a thumb at the receptionist. “Cherry will give you an appointment.” He went back into his room and closed the door.

Dave could hardly believe his luck. He had been caught out in his silly lies—but he had got an audition just the same!

He made a provisional appointment with Cherry, and said he would phone to confirm when he had checked with the rest of the group. Then he went home, walking on air.

As soon as he got back to the house in Great Peter Street he picked up the phone in the hall and called Lenny. “I got us an audition with Classic Records!” he said triumphantly.

Lenny was not as enthusiastic as Dave expected. “Who told you to do that?” He was miffed because Dave had taken the initiative.

Dave refused to be deflated. “What have we got to lose?”

“How did you manage it?”

“Bluffed my way in. I saw Eric Chapman, and he said okay.”

“Blind luck,” said Lenny. “It happens sometimes.”

“Yeah,” said Dave, though he was thinking: I wouldn’t have got lucky if I’d stayed home sitting on my arse.

“Classic isn’t really a pop label,” Lenny said.

“That’s why they need us.” Dave was running out of patience. “Lenny, how can this be bad?”

“No, it’s fine, we’ll see if it comes to anything.”

“Now we have to decide what to play at the audition. The secretary told me we’ll get to record two songs.”

“Well, we should do ‘Shake, Rattle and Roll,’ obviously.”

Dave’s heart sank. “Why?”

“It’s our best number. Always goes down well.”

“You don’t think it’s a bit old-fashioned?”

“It’s a classic.”

Dave knew he could not fight Lenny about this, not right now. Lenny had already swallowed his pride once. He could be pushed, but not too far. However, they could do two songs: perhaps the second could be more distinctive. “How about a blues?” Dave said desperately. “For a contrast. Show our range.”

“Yeah. ‘Hoochie Coochie Man.’”

That was a bit better, more like the material the Rolling Stones were doing. “Okay,” said Dave.

He went into the drawing room. Walli was there with a guitar on his knee. He had been living with the Williams family ever since coming from Hamburg with the group. He and Dave often sat in this room, playing and singing, between school and dinner.

Dave told him the news. Walli was pleased, but worried about Lenny’s choice of material. “Two songs that were hits in the fifties,” he said. His English was improving fast.

“It’s Lenny’s group,” said Dave helplessly. “If you think you can change his mind, please try.”

Walli shrugged. He was a great musician but a bit passive, Dave found. Evie said everyone was passive by comparison with the Williams family.