Back Edge of Eternity Save as PDF
Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

There was no proof that the story was true, but it made total sense to Dimka. The KGB had reported the story to the army, but an army investigation had turned up no proof. Most likely, Dimka thought, the investigator had been cut in on the deal.

He phoned Natalya’s office. “Quick question,” he said. “What brand of TV do you have at home?”

“Franck,” she said immediately. “It’s great. I can get you one, if you like.”

“No, thanks.”

“Why do you ask?”

“I’ll explain later.” Dimka hung up.

He looked at his watch. It was five. He left the Kremlin and drove to the street called Sadovaya-Samotyochnaya.

He had to scare Nik. It would not be easy, but he had to do it. Nik had to be made to understand that he must never, ever, threaten Dimka’s family.

He parked his Moskvitch but did not get out immediately. He recalled the frame of mind he had been in throughout the Cuban missile project, when he had to keep the mission secret at all costs. He had destroyed men’s careers and ruined their lives without hesitation, because the job had to be done. Now he was going to ruin Nik.

He locked his car and walked to the Bar Madrid.

He pushed open the door and stepped inside. He stood still and looked around. It was a bleak modern place, cold and plastic, insufficiently warmed by an electric fire and some photographs of flamenco dancers on the walls. The handful of customers gazed at him with interest. They looked like petty crooks. None resembled the photo of Nik in the file.

At the far end of the room was a corner bar with a door next to it marked PRIVATE.

Dimka strode through the room as if he owned it. Without stopping he spoke to the man behind the bar. “Nik in the back?”

The man looked as if he might be about to tell Dimka to stop and wait, but then he looked again at Dimka’s face and changed his mind. “Yes,” he said.

Dimka pushed open the door.

In a small back room four men were playing cards. There was a lot of money on the table. To one side, on a couch, two young women in cocktail dresses and heavy makeup were smoking long American cigarettes and looking bored.

Dimka recognized Nik immediately. The face was as handsome as the photograph had suggested, but the camera had failed to capture the cold expression. Nik looked up and said: “This is a private room. Piss off.”

Dimka said: “I’ve got a message for you.”

Nik put his cards facedown on the table and sat back. “Who the fuck are you?”

“Something bad is going to happen.”

Two of the card players stood up and turned to face Dimka. One reached inside his jacket. Dimka thought he might be about to draw a weapon. But Nik held up a cautionary hand, and the man hesitated.

Nik kept his eyes on Dimka. “What are you talking about?”