Back Edge of Eternity Save as PDF
Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

Cultivated fields fell away from the grounds of the house. “What do they grow here?” said Dave.

“Grapes.”

“I don’t want to be a farmer.”

“You’d be a landlord. Thirty acres are rented out.”

They went inside. The place was barely furnished with ill-assorted tables and chairs. There were no beds. “Does anyone live here?” Dave asked.

“No. For a few weeks every fall the grape pickers use it as a dormitory.”

“And if I move in . . .”

“The farmer will find other accommodation for his seasonal workers.”

Dave looked around. The place was ramshackle and derelict, but beautiful. The woodwork seemed solid. The main house had high ceilings and an elegant staircase. “I can’t wait for Beep to see it,” he said.

The main bedroom had the same spectacular view over the valley. He pictured himself and Beep getting up in the morning and looking out together, making coffee, and having breakfast with two or three barefoot children. It was perfect.

There was space for half a dozen guest rooms. The large detached barn, currently full of agricultural machinery, was the right size for a recording studio.

Dave wanted to buy it immediately. He told himself not to get enthusiastic too soon. He said: “What’s the asking price?”

“Sixty thousand dollars.”

“That’s a lot.”

“Two thousand dollars an acre is about the market price for a producing vineyard,” Morty said. “They’ll throw in the house for free.”

“Plus it wants a lot of work.”

“You said it. Central heating, electrical rewiring, insulation, new bathrooms . . . You could spend almost as much again fixing it up.”

“Say a hundred thousand dollars, not including recording equipment.”

“It’s a lot of money.”

Dave grinned. “Fortunately, I can afford it.”

“You certainly can.”

When they went outside, a pickup truck was parking. The man who got out had broad shoulders and a weathered face. He looked Mexican but he spoke without an accent. “I’m Danny Medina, the farmer here,” he said. He wiped his hands on his dungarees before shaking.

“I’m thinking of buying the place,” Dave said.

“Good. It will be nice to have a neighbor.”

“Where do you live, Mr. Medina?”

“I have a cottage at the other end of the vineyard, just out of sight over the lip of the ridge. Are you European?”

“Yes, British.”

“Europeans usually like wine.”

“Do you make wine here?”

“A little. We sell most of the grapes. Americans don’t like wine, except for Italian Americans, and they import it. Most people prefer cocktails or beer. But our wine is good.”

“White or red?”

“Red. Would you like a couple of bottles to try?”

“Sure.”

Danny reached into the cab of the pickup, pulled out two bottles, and handed them to Dave.

Dave looked at the label. “Daisy Farm Red?” he said.

Morty said: “That’s the name of the place, didn’t I tell you? Daisy Farm.”

“Daisy is my mother’s name.”

Danny said: “Maybe it’s an omen.” He climbed back into the vehicle. “Good luck!”