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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

There was a certain amount of bureaucratic fuss—the station manager was reluctant to let an expensive tape recorder leave the building—but at six that evening Jasper was backstage at the theater with the group.

Chris Gardner wanted no more than a few minutes of bland remarks from the group: how they liked the United States, what they thought about girls screaming at their concerts, whether they felt homesick. But Jasper hoped to give the radio station more than that. He intended this interview to be his passport to a real job in television. It had to be a sensation that rocked America.

First he interviewed them all together, doing the vanilla questions, talking about the early days back in London, getting them relaxed. He told them the station wanted to show them as fully rounded human beings: this was journalists’ code for intrusive personal questions, but they were too young and inexperienced to know that. They were open with him, except for Dave, who was guarded, perhaps remembering the fuss caused by Jasper’s article about Evie and Hank Remington. The others trusted him. Something else they had yet to learn was that no journalist could be trusted.

Then he asked them for individual interviews. He did Dave first, knowing that he was the leader. He gave Dave an easy ride, avoiding probing questions, not challenging any of the answers. Dave returned to the dressing room looking tranquil, and that gave the others confidence.

Jasper interviewed Walli last.

Walli was the one with a real story to tell. But would he open up? All Jasper’s preparations were aimed at that result.

Jasper placed their chairs close together, and spoke to Walli in a low voice, to create the illusion of privacy, even though their words would be heard by millions. He put an ashtray next to Walli’s chair to encourage him to smoke, guessing that a cigarette would make him feel more at ease. Walli lit up.

“What kind of child were you?” Jasper said, smiling as if this was just a lighthearted conversation. “Well-behaved, or naughty?”

Walli grinned. “Naughty,” he said, and laughed.

They were off to a good start.

Walli talked about his childhood in Berlin after the war and his early interest in music, then about going to the Minnesänger club, where he came second in the contest. This brought Karolin into the conversation in a natural way, as she and Walli had paired up that night. Walli became passionate as he spoke about the two of them as a musical duo, their choice of material and the way they performed together, and it was clear how much he loved her, even though he did not say it.

This was great stuff, a lot better than the average pop star interview, but still not enough for Jasper.

“You were enjoying yourselves, you were making good music, and you were pleasing audiences,” Jasper said. “What went wrong?”

“We sang ‘If I Had a Hammer.’”

“Explain to me why that was a mistake.”