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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

Tanya liked this woman. “Can we meet again?”

The editor hesitated. “Do you have something for me?”

Tanya did not answer the question. “Where are you staying?”

“The Europa.”

Tanya had a room reserved at the same hotel. That was convenient. “What’s your name?”

“Anna Murray. What’s yours?”

“We’ll talk again,” said Tanya, and she walked away.

She felt drawn to Anna Murray on instinct, an instinct refined by a quarter of a century of life in the Soviet Union; but her feeling was supported by evidence. First, Anna was clearly British, not a Russian or East German posing as British. Second, she was neither Communist nor strenuously pretending to be the opposite. Her relaxed neutrality was impossible for a KGB spy to fake. Third, she used no jargon. People brought up in Soviet orthodoxy could not help talking about party, class, cadres, and ideology. Anna used none of the key words.

The green-and-white Wartburg was waiting outside. The driver took her to the Europa, where she checked in. Almost immediately she left her room and returned to the lobby.

She did not want to draw attention to herself even by merely asking at reception for Anna Murray’s room number. At least one of the desk clerks would be an informant for the Stasi, and might make a note of a Soviet journalist seeking out an English publisher.

However, behind the reception desk was a bank of numbered pigeonholes where the staff deposited room keys and messages. Tanya simply sealed an empty envelope, wrote on it “Frau Anna Murray,” and handed it in without speaking. The clerk immediately put it in the pigeonhole for Room 305.

There was a key in the space, which meant that Anna Murray was not in her room right now.

Tanya went into the bar. Anna was not there. Tanya sat for an hour, sipping a beer, roughing out her article on a notepad. Then she went into the restaurant. Anna was not there either. She had probably gone out to dinner with colleagues at a restaurant in the city. Tanya sat alone and ordered the local speciality, allerlei, a vegetable dish. She sat over her coffee for an hour, then left.

Passing through the lobby, she looked again at the pigeonholes. The key for 305 had gone.

Tanya returned to her own room, picked up the typescript, and walked to the door of Room 305.

There she hesitated. Once she had done this, she was committed. No cover story would explain or excuse her action. She was distributing anti-Soviet propaganda to the West. If she were caught, her life would be over.

She knocked on the door.

Anna opened it. She was barefoot and there was a toothbrush in her hand: clearly she had been getting ready for bed.

Tanya put her finger on her lips, indicating silence. Then she handed Anna the typescript. She whispered: “I’ll come back in two hours.” Then she walked away.

She returned to her own room and sat on the bed, shaking.