Back Edge of Eternity Save as PDF
Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

Just as she was about to put her key in the lock the door opened, and a slim blond girl of about eighteen stood there. Vasili was behind her. Tanya cursed inwardly. It was too late for her to run away or pretend she was going to a different apartment.

The blonde gave Tanya a hard, appraising stare, taking in her hairstyle, her figure, and her clothes. Then she kissed Vasili on the mouth, threw a triumphant look at Tanya, and went down the staircase.

Vasili was thirty but he liked girls young. They yielded to him because he was tall and dashing, with carved good looks and thick dark hair always a little too long and soft brown bedroom eyes. Tanya admired him for a completely different set of reasons: because he was bright, brave, and a world-class writer.

She walked into his study and dropped her bag on a chair. Vasili worked as a radio script editor and was a naturally untidy man. Papers covered his desk, and books were stacked on the floor. He seemed to be working on a radio adaptation of Maxim Gorky’s first play, The Philistines. His gray cat, Mademoiselle, was sleeping on the couch. Tanya pushed her off and sat down. “Who was that little tart?” she said.

“That was my mother.”

Tanya laughed despite her annoyance.

“I’m sorry she was here,” Vasili said, though he did not look very sad about it.

“You knew I was coming today.”

“I thought you’d be later.”

“She saw my face. No one is supposed to know there is a connection between you and me.”

“She works at the GUM department store. Her name is Varvara. She won’t suspect anything.”

“Please, Vasili, don’t let it happen again. What we’re doing is dangerous enough. We shouldn’t take additional risks. You can screw a teenager any day.”

“You’re right, and it won’t happen again. Let me make you some tea. You look tired.” Vasili busied himself at the samovar.

“I am tired. But Ustin Bodian is dying.”

“Hell. What of?”

“Pneumonia.”

Tanya did not know Bodian personally, but she had interviewed him, before he got into trouble. As well as being extraordinarily talented, he was a warm and kindhearted man. A Soviet artist admired all over the world, he had lived a life of great privilege, but he was still able to get publicly angry about injustice done to people less fortunate than himself—which was why they had sent him to Siberia.

Vasili said: “Are they still making him work?”

Tanya shook her head. “He can’t. But they won’t send him to hospital. He just lies on his bunk all day, getting worse.”

“Did you see him?”

“Hell, no. Asking about him was dangerous enough. If I’d gone to the prison camp they would have kept me there.”

Vasili handed her tea and sugar. “Is he getting any medical treatment at all?”

“No.”

“Did you get any idea of how long he might have to live?”

Tanya shook her head. “You now know everything I know.”