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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

“You will receive a formal reply—everyone does,” he said. “But I can tell you now that you will not be permitted to emigrate.”

“Can I visit Walli?” Karolin begged. “Just for a few days? Alice has never even seen her father!”

“No,” said Hans with a tight smile. “People who have applied for emigration are never subsequently allowed to take holidays abroad.” His hatred showed through momentarily as he added: “What do you think we are, stupid?”

“I will apply again in a year’s time,” said Karolin.

Hans stood up, a smile of triumphant superiority playing around his lips. “The answer will be the same next year, and the year after, and always.” He looked around at all of them. “None of you will be given permission to leave. Ever. I promise you.”

With that he left.

• • •

Dave Williams phoned Classic Records. “Hello, Cherry, this is Dave,” he said. “Can I speak to Eric?”

“He’s out at the moment,” she said.

Dave was disappointed and indignant. “This is the third time I’ve phoned!”

“Unlucky.”

“He could phone me back.”

“I’ll ask him.”

Dave hung up.

He was not unlucky. Something was wrong.

Plum Nellie had had a great 1964. “Love Is It” had gone to number one on the hit parade, and the group—without Lenny—had done a tour of Britain with a package of pop stars including the legendary Chuck Berry. Dave and Walli had moved into a two-bedroom apartment in the theater district.

But things had now cooled right down. It was frustrating.

Plum Nellie had a second record out. Classic had released “Shake, Rattle and Roll,” with “Hoochie Coochie Man” on the B side, rushing it out for Christmas. Eric had not consulted the group, and Dave would have preferred to record a new song.

Dave had proved right. “Shake, Rattle and Roll” had flopped. Now it was January 1965, and as Dave thought about the year ahead he had a sense of panic. At night he had dreams about falling—from a roof, out of a plane, off a ladder—and woke up feeling that his life was about to end. The same sensation came over him when he contemplated his future.

He had allowed himself to believe that he was going to be a musician. He had left his parents’ home and his school. He was sixteen, old enough to get married and pay taxes. He had thought he had a career. And suddenly it was all falling apart. He did not know what to do. He was no good at anything other than music. He could not face the humiliation of going back to live in his parents’ house. In old-fashioned stories the boy hero would “run away to sea.” Dave loved the idea of disappearing, then returning five years later, bronzed and bearded and telling tales of faraway places. But in his heart he knew he would hate the discipline of the navy. It would be worse than school.

He did not even have a girlfriend. When he left school he had ended his romance with Linda Robertson. She said she had been expecting it, though she cried all the same. When he received the money from Plum Nellie’s appearance on It’s Fab! he had got Mickie McFee’s phone number from Eric and asked her if she wanted to go out with him, maybe to dinner and a movie. She had thought for a long moment, then said: “No. You’re really sweet, but I can’t be seen out with a sixteen-year-old. I already have a bad reputation, but I don’t want to look quite such a fool.” Dave had been hurt.