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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

Plum Nellie’s dressing room was large and clean, with big mirrors surrounded by Hollywood lights, and a fridge full of soft drinks. “This is better than what we’re used to,” said Lenny. “There’s even toilet roll in the bog!”

Dave put on his red shirt, then went back to watch the filming. Mickie McFee was performing now. She had had a string of hits in the fifties and was making a comeback. She was at least thirty, Dave guessed, but she looked sexy in a pink sweater stretched tight across her breasts. She had a great voice. She did a soul ballad called “It Hurts Too Much,” and she sounded like a black girl. What must it be like, Dave wondered, to have so much confidence? He was so anxious he felt as if his stomach was full of worms.

The cameramen and technicians liked Mickie—they were mostly the older generation—and they clapped when she finished.

She came down off the stage and saw Dave. “Hello, kid,” she said.

“You were great,” Dave said, and introduced himself.

She asked him about the group. He was telling her about Hamburg when they were interrupted by a man in an Argyle sweater. “Plum Nellie onstage, please,” the man said in a soft voice. “Sorry to butt in, Mickie, darling.” He turned to Dave. “I’m Kelly Jones, producer.” He looked Dave up and down. “You look fab. Get your guitar.” He turned back to Mickie. “You can eat him up later.”

She protested: “Give a girl a chance to play hard to get.”

“That’ll be the day, duckie.”

Mickie waved a good-bye and disappeared.

Dave wondered whether they had meant a single word they had said.

He had little time to think about it. The group got onstage and were shown their places. As usual, Lenny turned up his shirt collar, the way Elvis did. Dave told himself not to be nervous: he would be miming, so he didn’t even have to play the song right! Then they were into it and Walli was fingering the introduction as the record began.

Dave looked at the rows of empty seats and imagined Mickie McFee pulling the pink sweater off over her head to reveal a black brassiere. He grinned happily into the camera and sang the harmony.

The record was two minutes long, but it seemed to be over in five seconds.

He expected to be asked to do it again. They all waited onstage. Kelly Jones was talking earnestly to Eric. After a minute they both came over to the group. Eric said: “Technical problem, lads.”

Dave feared there was something wrong with their performance, and the television appearance might be canceled.

Lenny said: “What technical problem?”

Eric said: “It’s you, Lenny, I’m sorry.”

“What are you talking about?”

Eric looked at Kelly, who said: “This show is about kids with groovy clothes and Beatle haircuts raving to the latest hits. I’m sorry, Lenny, but you’re not a kid, and your haircut is five years out of date.”