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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

Lenny looked foolish and said aggressively: “All right, so long as we understand each other.”

They played the song again, and Walli could see immediately what Eric meant. Paulo played light trills with his right hand and simple chords with his left, and it suited the song much better.

They recorded it again with Lenny. He tried to play like Paulo, and made a decent job of it, but he did not really have the touch.

They recorded the backing twice more, once with Paulo and once with Lenny; then they recorded the vocal part three times. Finally Eric was satisfied. “Now,” he said, “we need a B side. What have you got that’s similar?”

“Wait a minute,” Dave said. “Does that mean that we’ve passed the audition?”

“Of course you have,” said Eric. “Do you think I go to this much trouble with groups I’m about to turn down?”

“So . . . ‘Love Is It’ by Plum Nellie will be released as a record?”

“I bloody well hope so. If my boss turns it down I’ll quit.”

Walli was surprised to learn that Eric had a boss. Until now he had given the impression that he was the boss. It was a trivial deception, but Walli marked it.

Dave said: “Do you think it will be a hit?”

“I don’t make predictions—I’ve been in this business too long. But if I thought it was going to be a miss, I wouldn’t be here talking to you, I’d be down the pub.”

Dave looked around at the group, grinning. “We passed the audition,” he said.

“You did,” Eric said impatiently. “Now, what have you got for the B side?”

• • •

“Are you ready for some good news?” said Eric Chapman over the phone to Dave Williams a month later. “You’re going to Birmingham.”

At first Dave did not know what he meant. “Why?” he said. Birmingham was an industrial city one hundred twenty miles north of London. “What’s in Birmingham?”

“The television studio where they make It’s Fab!, you idiot.”

“Oh!” Dave suddenly felt breathless with excitement. Eric was talking about a popular show that featured pop groups miming to their records. “Are we on it?”

“Of course you are! ‘Love Is It’ will be their Hot Tip for the week.”

The record had been out five days. It had been played on the BBC Light Programme once, and several times on Radio Luxembourg. To Dave’s surprise, Eric did not know how many copies had actually been bought: the record business was not that good at tracking sales.

Eric had released the version with Paulo on the piano. Lenny had pretended not to notice.

Eric treated Dave as the leader of the group, despite what Lenny had told him. Now he said: “Have you got decent outfits to wear?”

“We normally wear red shirts and black jeans.”

“It’s black-and-white television, so that’ll probably look fine. Make sure you all wash your hair.”

“When are we going?”

“Day after tomorrow.”