Contents ( 98)
- Contents
- CAST OF CHARACTERS
- PART ONE
- WALL
- 1961
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- PART TWO
- BUG
- 1961–1962
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- PART THREE
- ISLAND
- 1962
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- PART FOUR
- GUN
- 1963
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- CHAPTER TWENTY-EIGHT
- CHAPTER TWENTY-NINE
- CHAPTER THIRTY
- PART FIVE
- SONG
- 1963–1967
- CHAPTER THIRTY-ONE
- CHAPTER THIRTY-TWO
- CHAPTER THIRTY-THREE
- CHAPTER THIRTY-FOUR
- CHAPTER THIRTY-FIVE
- CHAPTER THIRTY-SIX
- CHAPTER THIRTY-SEVEN
- CHAPTER THIRTY-EIGHT
- CHAPTER THIRTY-NINE
- CHAPTER FORTY
- PART SIX
- FLOWER
- 1968
- CHAPTER FORTY-ONE
- CHAPTER FORTY-TWO
- CHAPTER FORTY-THREE
- CHAPTER FORTY-FOUR
- CHAPTER FORTY-FIVE
- PART SEVEN
- TAPE
- 1972–1974
- CHAPTER FORTY-SIX
- CHAPTER FORTY-SEVEN
- CHAPTER FORTY-EIGHT
- CHAPTER FORTY-NINE
- CHAPTER FIFTY
- PART EIGHT
- YARD
- 1976–1983
- CHAPTER FIFTY-ONE
- CHAPTER FIFTY-TWO
- CHAPTER FIFTY-THREE
- CHAPTER FIFTY-FOUR
- PART NINE
- BOMB
- 1984–1987
- CHAPTER FIFTY-FIVE
- CHAPTER FIFTY-SIX
- CHAPTER FIFTY-SEVEN
- CHAPTER FIFTY-EIGHT
- PART TEN
- WALL
- 1988–1989
- CHAPTER FIFTY-NINE
- CHAPTER SIXTY
- CHAPTER SIXTY-ONE
- CHAPTER SIXTY-TWO
- EPILOGUE
- November 4, 2008
- CHAPTER SIXTY-THREE
- ACKNOWLEDGMENTS
Evie’s parents were in the same row, as was her grandmother Eth Leckwith. The major absence was her brother, Dave, whose group had a gig.
The curtain went up. The play was a legal drama. Jasper had heard Evie learning her lines, and he knew that the third act took place in a courtroom; but the action started in the prosecuting barrister’s chambers. Evie, playing his daughter, came in halfway through the first act and had an argument with her father.
Jasper was awestruck by Evie’s confidence and the authority of her performance. He had to keep reminding himself that this was the kid who lived in the same house as he. He found himself resenting the father’s smug condescension and sharing the daughter’s indignation and frustration. Evie’s anger grew and, as the end of the act drew near, she began an impassioned plea for mercy that had the audience silently mesmerized.
Then something happened.
People began to mutter.
At first the actors onstage did not notice. Jasper looked around, wondering whether someone had fainted or thrown up, but he could see nothing to explain the talking. On the other side of the auditorium two people left their seats and walked out with a third man who appeared to have come to summon them. Hank, sitting beside Jasper, hissed: “Why don’t these bastards keep quiet?”
After a minute Evie’s magisterial performance faltered, and Jasper knew that she had become aware of something going on. She tried to win back the attention of the audience by becoming more histrionic: she spoke louder, her voice cracked with emotion, and she strode about the stage making large gestures. It was a brave effort, and Jasper’s admiration rose even higher; but it did not work. The murmur of conversation rose to a buzz, then to a roar.
Hank stood up, turned around, and said to the people behind him: “Will you lot just bloody well shut up?”
Onstage, Evie stumbled. “Think of what that woman . . .” She hesitated. “Think of how that woman has lived—has suffered—has been through . . .” She fell silent.
The veteran actor playing her barrister father got up from behind his desk, saying, “There, there, dear,” a line that might or might not have been in the script. He came downstage to where Evie was standing and put his arm around her shoulder. Then he turned, squinting into the spotlights, and spoke directly to the audience.
“If you please, ladies and gentlemen,” he said in the fruity baritone for which he was famous, “will someone kindly tell us what on earth has happened?”
• • •
Rebecca Held was in a hurry. She came home from work with Bernd, made supper for them both, and got ready to go to a meeting while Bernd cleared away. She had recently been elected to the parliament that governed the Hamburg city-state—one of a growing number of female members. “Are you sure you don’t mind me rushing out?” she said to Bernd.