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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

“Come on.” Walli picked up his guitar and amplifier. “Let’s go home.”

• • •

Dave Williams and Plum Nellie arrived in Hamburg with high hopes. They were on a roll. They were becoming popular in London, and now they were going to wow Germany.

The manager of the Dive was called Herr Fluck, which Plum Nellie found hilarious. Not so funny was the fact that he did not like Plum Nellie much. Even worse, after two evenings Dave thought he was right. The group was not giving the punters what they wanted.

“Make dance!” Herr Fluck said in English. “Make dance!” The people in the club, all in their teens and twenties, were mainly interested in dancing. The most successful numbers were the ones that got the girls out on the floor, bopping with one another, so that the men could then cut in and get paired off.

But mostly the group fell short of generating the kind of excitement that got everyone moving. Dave was appalled. This was their big chance and they were fluffing it. If they did not improve, they would be sent home. “For the first time in my life, I’m a success at something,” he had said to his skeptical father; and in the end his father had let him come to Hamburg. Would he have to go home and admit that he had failed at this, too?

He could not figure out what the problem was, but Lenny could. “It’s Geoff,” he said. Geoffrey was the lead guitarist. “He’s homesick.”

“Does that make him play badly?”

“No, it makes him drink, and the drink makes him play badly.”

Dave took to standing right next to the drum kit and hitting his guitar strings harder and more rhythmically, but it did not make much difference. He realized that when one musician underperformed, it brought down the whole group.

On his fourth day he went to visit Rebecca.

He was delighted to discover that he had not one but two relations in Hamburg, and the second was a guitar-playing seventeen-year-old boy. Dave had schoolboy German, and Walli had picked up some English from his grandmother Maud; but they both spoke the language of music, and they spent an afternoon trading chords and guitar licks. That evening Dave took Walli to the Dive, and suggested that the club hire Walli to play in the intervals between Plum Nellie’s sets. Walli played a new American hit called “Blowin’ in the Wind,” which the manager liked, and he got the job.

A week later, Rebecca and Bernd invited the group for a meal. Walli explained to her that the boys worked late into the night and got up at midday, so they liked to eat at around six in the evening, before going onstage. That was fine with Rebecca.

Four of the five accepted the invitation: Geoff would not come.

Rebecca had cooked a pile of pork chops in a rich sauce, with great bowls of fried potatoes, mushrooms, and cabbage. Dave guessed she wanted, in a motherly way, to make sure they got one good meal in the course of a week. She was right to worry: they were living mainly on beer and cigarettes.